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Political Beethoven,9781107005891
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Political Beethoven



Pub. Date:
Cambridge Univ Pr
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This is the edition with a publication date of 2/25/2013.
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Musicians, music lovers and music critics have typically considered Beethoven's overtly political music as an aberration; at best, it is merely notorious, at worst, it is denigrated and ignored. In Political Beethoven Nicholas Mathew returns to the musical and social contexts of the composer's political music throughout his career – from the early marches and anti-French war songs of the 1790s to the grand orchestral and choral works for the Congress of Vienna – to argue that this marginalized functional art has much to teach us about the lofty Beethovenian sounds that came to define serious music in the nineteenth century. Beethoven's much-maligned political compositions, Mathew shows, lead us into the intricate political and aesthetic contexts that shaped all of his oeuvre, thus revealing the stylistic, ideological and psycho-social mechanisms that gave Beethoven's music such a powerful voice – a voice susceptible to repeated political appropriation, even to the present day.

Table of Contents

Introduction: political collaborations
Music between myth and history
Beethoven's moments
The sounds of power and the power of sound
The inner public
After the war
Appendix:eighteenth- and early nineteenth-century musical sources consulted
Table of Contents provided by Publisher. All Rights Reserved.

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