More New and Used
from Private Sellers
Only one copy
in stock at this price.
In Stock Usually Ships in 24 Hours.
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the 2nd edition with a publication date of 11/12/2008.
What is included with this book?
- The Used copy of this book is not guaranteed to inclue any supplemental materials. Typically, only the book itself is included.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
The Pop, Rock, and Soul Reader: Histories and Debates, Second Edition, traces the evolution of diverse streams of American popular music from the 1920s to the present. In this richly textured anthology, well-known scholar David Brackett brings together more than 100 readings from a wide range of sources and by writers who have played an integral part in the development of popular music criticism. Brackett includes articles from mainstream and specialized magazines, newspapers, and scholarly journals, as well as interviews and autobiographies of musicians and other music industry insiders. Organized into broad time periods, the chapters are divided into sections by genre, and these sections are organized chronologically. The chapter divisions parallel those found most frequently in textbooks on popular music. Representing a wide variety of time periods, styles, and genres--and including groundbreaking criticism on disco, hip-hop, rap, and techno--the selections introduce students to important social and cultural issues raised by the study of popular music. Topics covered include the role of race, class conflict, gender roles, regional differences in the reception of popular music, and the relative value of artistry versus commerce. Extensive editorial introductions and headnotes supply context for the selections, provide links between different eras and genres, clarify the issues raised by the documents, and explain their historical significance. The second edition of this captivating anthology features eleven new source readings and introductions, further reading and discography selections for each chapter, and a companion website containing student and instructor resources.
David Brackett is Associate Professor and former Chair of the Department of Music Research in the Schulich School of Music at McGill University. His publications include the book Interpreting Popular Music (2000) and articles and reviews in Popular Music, JAMS, and American Music. Professor Brackett is also a consulting editor for the new edition of AmeriGrove (OUP).
Table of Contents
|New to this edition|
|Irving Berlin in Tin Pan Alley|
|Songs from the Melting Pot|
|The Formative Years, 1907-1914|
|Technology, the Dawn of Modern Popular Music, and the ""King of Jazz"" Paul Whiteman and Mary Margaret McBride, ""On Wax""|
|Big Band Swing Music: Race and Power in the Music Business|
|""Black Music's on Top; White Jazz Stagnant""|
|""The Dance Band Business: A Study in Black and White|
|Table of Contents provided by Publisher. All Rights Reserved.|