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9780198742715

Practices of Looking An Introduction to Visual Culture

by ;
  • ISBN13:

    9780198742715

  • ISBN10:

    0198742711

  • Format: Paperback
  • Copyright: 2001-02-01
  • Publisher: Oxford University Press
  • View Upgraded Edition

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Supplemental Materials

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Summary

"Practices of Looking: An Introduction to Visual Culture provides a comprehensive and engaging overview of how we understand a wide array of visual media and how we use images to express ourselves, to communicate, to play, and to learn. Marita Sturken and Lisa Cartwright - two leading scholars in the emergent and dynamic field of visual culture and communication - examine the diverse range of approaches to visual analysis and lead students through key theories and concepts." "Thoroughly updated to incorporate cutting-edge theoretical research, the second edition examines the following new topics: the surge of new media technologies; the impact of globalization on the flow of information and media form and content; and how nationalism and security concerns have changed our looking practices in the aftermath of 9/11. Challenging yet accessible, Practices of Looking is ideal for courses across a range of disciplines, including media and film studies, communications, art history, and photography."--BOOK JACKET.

Author Biography


Marita Sturken is Associate Professor at the University of Southern California, teaching cultural studies, popular culture, and issues of technology and culture. She previously worked as a critic in independent film and video, and is the author of; Tangled Memories: The Vietnam War, the AIDS Epidemic and the Politics of Remembering, University of California Press (1997) and Thelma and Louise, British Film Institute Modern Classics Series (2000). Lisa Cartwright is Associate Professor at the University of Rochester, and Director of the Susan B. Institute for Gender and Women's Studies. She is the author of Screening the Body: Tracing Medicine's Visual Culture and co-editor of The Visible Woman: Imaging Technologies, Gender and Science

Table of Contents

Introduction 1(9)
Practices of Looking: Images, Power, and Politics
10(35)
Representation
12(4)
The myth of photographic truth
16(5)
Images and ideology
21(4)
How we negotiate the meaning of images
25(6)
The value of images
31(5)
Image icons
36(9)
Notes
42(1)
Further Reading
43(2)
Viewers Make Meaning
45(27)
Producers' intended meanings
45(3)
Aesthetics and taste
48(2)
Reading images as ideological subjects
50(6)
Encoding and decoding
56(2)
Appropriation and oppositional readings
58(10)
Re-appropriations and counter-bricolage
68(4)
Notes
70(1)
Further Reading
70(2)
Spectatorship, Power, and Knowledge
72(37)
Psychoanalysis and the image spectator
72(4)
The gaze
76(6)
Changing concepts of the gaze
82(11)
Discourse, the gaze, and the other
93(3)
Power/knowledge and panopticism
96(4)
The gaze and the exotic
100(9)
Notes
107(1)
Further Reading
107(2)
Reproduction and visual Technologies
109(42)
Realism and the history of perspective
111(4)
Realism and visual technologies
115(6)
The reproduction of images
121(9)
Reproduced images as politics
130(4)
Visual technologies and phenomenology
134(4)
The digital image
138(6)
Virtual space and interactive images
144(7)
Notes
149(1)
Further Reading
149(2)
The Mass Media and the Public Sphere
151(38)
Critiques of the mass media
161(7)
The mass media and democratic potential
168(4)
Television and the question of sponsorship
172(5)
Media and the public sphere
177(6)
New media cultures
183(6)
Notes
186(1)
Further Reading
187(2)
Consumer Culture and the Manufacturing of Desire
189(48)
Consumer society
191(7)
Commodity culture and commodity fetishism
198(5)
Addressing the consumer
203(6)
Images and text
209(3)
Envy, desire, and glamour
212(6)
Belonging and difference
218(4)
Bricolage and counter-bricolage
222(5)
The brand
227(4)
Anti-ad practices
231(6)
Notes
235(1)
Further Reading
235(2)
Postmodernism and Popular Culture
237(42)
Modernism
240(11)
Postmodernism
251(3)
Reflexivity
254(5)
The copy, pastiche, and institutional critique
259(5)
Popular culture: parody and reflexivity
264(6)
Addressing the postmodern consumer
270(9)
Notes
277(1)
Further Reading
277(2)
Scientific Looking, Looking at Science
279(36)
Images as evidence
280(6)
Scientific looking
286(5)
Images in biomedicine: sonograms and fetal personhood
291(3)
Scientific images as advocacy and politics
294(4)
Vision and truth
298(2)
Genetics and the digital body
300(8)
Popular science
308(7)
Notes
313(1)
Further Reading
313(2)
The Global Flow of Visual Culture
315(34)
Television flow: from the local to the global
318(4)
The critique of cultural imperialism
322(2)
Markets of the Third World
324(3)
Alternative circulations: hybrid and diasporic images
327(6)
The Internet: global village or multinational corporate marketplace?
333(5)
The World Wide Web as private and public sphere
338(4)
The challenge of the Internet to privacy, censorship, and free speech
342(2)
The place of the visual in the new millennium
344(5)
Notes
345(1)
Further Reading
346(3)
Glossary 349(22)
Picture Credits 371(4)
Index 375

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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