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Restoring Baird's Image
by McLean, D. F.ISBN13:
9780852967959
ISBN10:
0852967950
Format:
Hardcover
Pub. Date:
8/1/2000
Publisher(s):
Inst of Engineering & Technology
List Price: $49.00
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Summary
John Logie Baird, Britain's foremost television pioneer, experimented with video recording onto gramophone discs in the late 1920s. Though unsuccessful at the time, his experiments resulted in several videodiscs, some 25 years before the videotape recorder became practical. These videodiscs - called Phonovision - remained neglected over the decades, considered by experts as unplayable.
In the early 1980s, the author sought out and restored the surviving Phonovisions discs. Using computer-based techniques in an investigation reminiscent of an archaeological dig, the author has not only revealed the images on the discs but also uncovered details of how the recordings were made. The Phonovision discs have now become recognised as one of Baird's most important legacies.
As well as helping to explain a poorly understood and complex period in television's history, the book, illustrated with previously unpublished or rarely-seen historic photographs restored by the author, sheds light on the achievements of Baird, the development of video recording and the definition and invention of television itself.
In the early 1980s, the author sought out and restored the surviving Phonovisions discs. Using computer-based techniques in an investigation reminiscent of an archaeological dig, the author has not only revealed the images on the discs but also uncovered details of how the recordings were made. The Phonovision discs have now become recognised as one of Baird's most important legacies.
As well as helping to explain a poorly understood and complex period in television's history, the book, illustrated with previously unpublished or rarely-seen historic photographs restored by the author, sheds light on the achievements of Baird, the development of video recording and the definition and invention of television itself.
Table of Contents
| Contents | p. v |
| Foreword | p. xi |
| Preface | p. xv |
| Acknowledgments | p. xix |
| As Others See Us | p. 1 |
| Videodisc comes of Age | p. 1 |
| Mechanical Television Today | p. 3 |
| Mechanical Computers? | p. 3 |
| 'Mechanical' Space Imaging | p. 4 |
| Seeing at a Distance | p. 4 |
| The World-Wide Camera | p. 5 |
| History in 'Sound-Bites' | p. 7 |
| Struggling with the Language of 'Techno-speak' | p. 9 |
| What does 'Television' really mean? | p. 9 |
| Distant Vision | p. 11 |
| Revolutionary Television | p. 11 |
| From Scratch... | p. 11 |
| How it's Done | p. 12 |
| From Scene to Image | p. 13 |
| Photography | p. 15 |
| Facsimile | p. 17 |
| Shedding Light on Selenium | p. 18 |
| News Facsimile | p. 19 |
| Moving Pictures--the Movies and Television | p. 20 |
| Cinema Television--1930s Style | p. 22 |
| Television | p. 23 |
| The Path to Television | p. 25 |
| Early Systems | p. 25 |
| Nipkow's Disc | p. 26 |
| The Scots 'invent' Television | p. 29 |
| The Electronic and Mechanical Paths to Television | p. 31 |
| John Logie Baird | p. 32 |
| The Day--Baird Letters | p. 35 |
| Viewing in Reflected Light | p. 35 |
| Viewing in Light and Shade--Television at Last! | p. 36 |
| The First Demonstration of Television | p. 38 |
| Baird's Television Format | p. 42 |
| Non-linear Scanning | p. 44 |
| Multiple Spirals--Multiple Images | p. 45 |
| Seeing at a Long Distance | p. 46 |
| Transatlantic Television | p. 47 |
| Demonstrations and Remonstrations | p. 51 |
| 1928--A New Scanning Method | p. 51 |
| Phonovision | p. 57 |
| The BBC disc | p. 57 |
| Hints of Phonovision | p. 58 |
| The Search begins | p. 58 |
| The NBTVA | p. 59 |
| Ray Herbert | p. 60 |
| Drawing a Blank | p. 62 |
| The Royal Television Society | p. 63 |
| The Baird Company Network | p. 65 |
| Final Phonovision? | p. 66 |
| Absence of Evidence | p. 67 |
| Equipment | p. 68 |
| The Phonovision Patents | p. 71 |
| The Phonovisor Patent | p. 74 |
| The Thinking behind Phonovision and the Phonovisor | p. 75 |
| Publications | p. 76 |
| Personnae | p. 78 |
| Witness: B. Clapp | p. 79 |
| Witness: W. C. Fox | p. 80 |
| Witness: J. D. Percy | p. 81 |
| Witness: T. H. Bridgewater | p. 81 |
| Witness: C. L. Richards | p. 82 |
| Witness: F. Whitworth | p. 83 |
| J. Gilbert | p. 84 |
| A Wellsian Future from the 19th Century | p. 84 |
| Fictional Phonovision | p. 87 |
| Experiments and Demonstrations | p. 87 |
| The Sound of Vision | p. 89 |
| Restoring Vision | p. 93 |
| Climbing Mountains | p. 93 |
| Vision by Electricity | p. 94 |
| Television Synchronisation | p. 97 |
| 30-line Vision Synchronisation | p. 100 |
| What do we do without Timing? | p. 101 |
| Early Attempts at Viewing the Recordings | p. 102 |
| Principles behind the Restoration Process | p. 103 |
| Capture | p. 104 |
| Pick-up Cartridge | p. 106 |
| Centring the Disc | p. 107 |
| Digitisation | p. 107 |
| Restoration | p. 108 |
| Signal Processing | p. 109 |
| Image Processing | p. 112 |
| It's all a Question of Timing | p. 113 |
| Pattern Matching | p. 114 |
| Pattern Matching Methods | p. 115 |
| Phase and Frequency | p. 117 |
| Fourier Analysis | p. 118 |
| Correcting for Disc Surface Faults | p. 120 |
| Early Videodisc Defects | p. 121 |
| Filtering | p. 123 |
| Small Defect Detection | p. 124 |
| Alternative Approaches | p. 125 |
| Displaying the results | p. 125 |
| Vision restored | p. 127 |
| Discoveries | p. 129 |
| Phonovision: Genuine or Fake? | p. 129 |
| The Columbia Graphophone Company | p. 131 |
| Dating 'Miss Pounsford' | p. 132 |
| Why are these Discs Phonovision? | p. 133 |
| Valid Recording Dates? | p. 134 |
| Baird's Recording Studio? | p. 134 |
| The Studio in 3D | p. 138 |
| When were the Photographs taken? | p. 140 |
| When were the Photographs taken? | p. 141 |
| When were the Photographs taken? | p. 142 |
| 'Phoney' Phonovisor | p. 142 |
| Radial Tracking | p. 144 |
| Pick-up Type | p. 146 |
| The Bar reveals all | p. 146 |
| Timing Faults | p. 147 |
| 'Stookie Bill' | p. 149 |
| Image Shape | p. 150 |
| Aspect Ratio | p. 153 |
| Faults in Building the Nipkow Disc | p. 153 |
| Progress in Timing | p. 156 |
| Howling Evidence | p. 158 |
| Torque of the Drive Motor | p. 160 |
| Miss Pounsford's Cigarette | p. 161 |
| 'Miss Pounsford' | p. 163 |
| Scanning Direction | p. 164 |
| Too Fast | p. 164 |
| 'What is Wrong with this Picture?' | p. 165 |
| Work in Progress | p. 167 |
| Television Develops | p. 169 |
| The Legacy of Baird | p. 169 |
| An Englishman, an Irishman and a Scotsman | p. 172 |
| Radio | p. 173 |
| Intentions made clear | p. 174 |
| US Experimental Television Broadcasting takes off | p. 175 |
| Getting on Air | p. 175 |
| The Baird Television Service | p. 177 |
| The First BBC Television Service | p. 180 |
| First Light | p. 182 |
| Progress on 30-line Quality | p. 183 |
| The New Wave | p. 186 |
| End of the Line | p. 188 |
| Intermediate Film--the Intermediate Answer | p. 188 |
| All-Electronic Television takes Shape | p. 190 |
| Television in Transition | p. 191 |
| Trial by Television | p. 192 |
| Airborne Reconnaissance--1937 | p. 193 |
| Baird's Colour Television | p. 195 |
| It's All in the Groove | p. 199 |
| The First 'International' Television Service | p. 199 |
| Audience Numbers | p. 200 |
| The Amateurs | p. 200 |
| Domestic Audio Recorders | p. 202 |
| Vision Disc Transcription | p. 203 |
| Revelations from Aluminium | p. 203 |
| Pictures from the first BBC Television Service | p. 205 |
| 'Looking In' | p. 208 |
| Movement--The Key to Clarity | p. 211 |
| Reviews of the Revue | p. 212 |
| The Games Discs | p. 213 |
| Authentic or Fake? | p. 215 |
| Betty Bolton | p. 218 |
| Betty Bolton's Career | p. 218 |
| Dating Miss Bolton | p. 220 |
| Gramovision | p. 221 |
| Major Radiovision--A Major Disappointment | p. 223 |
| A 'Sister' Disc to Major Radiovision | p. 225 |
| The BBC's 30-line Recording | p. 225 |
| Changing History? | p. 226 |
| Capturing the Vision | p. 229 |
| Television - the Ephemeral Medium | p. 229 |
| How far back? | p. 230 |
| Pre-War British Video Recording | p. 231 |
| The Early International Scene | p. 232 |
| Recording Methods | p. 233 |
| Tele-recording | p. 234 |
| Recording--from the Beginning | p. 237 |
| Magnetic Recording | p. 240 |
| The Beginnings of Magnetic Tape | p. 241 |
| Video: faster and higher | p. 242 |
| Ampex | p. 243 |
| The Development of the Practical Videotape Recorder | p. 245 |
| Quadruplex versus Helical-scanning | p. 246 |
| Helical Scanning Takes Off | p. 248 |
| VERA Lingers | p. 249 |
| Tape--the Fluid Medium and the Store House | p. 251 |
| Disc Technology | p. 252 |
| There is no time like the Present | p. 254 |
| Who wants to live forever? | p. 255 |
| The Explosion of Formats | p. 255 |
| Archiving Videotape | p. 256 |
| Dead Formats | p. 257 |
| The End of Media? | p. 258 |
| An Archive for the Future | p. 259 |
| Preserving Data | p. 260 |
| A Format for Survival | p. 261 |
| First and Last? | p. 261 |
| The Ultimate Archive | p. 262 |
| Revising History | p. 265 |
| Changing Views | p. 265 |
| Over-zealous Claims | p. 266 |
| British Television in Perspective | p. 267 |
| Shifts in Perception | p. 269 |
| The Evolution of Views | p. 271 |
| 'Just a Few Lines' | p. 272 |
| A Digital Viewpoint on Television | p. 274 |
| End of the Tube? | p. 275 |
| The Legacy | p. 276 |
| Conclusion | p. 277 |
| Annex | p. 279 |
| Derivation of Aspect Ratio from Arc-scanning | p. 279 |
| Bibliography | p. 281 |
| Author's Comment | p. 281 |
| Recent Publications on Early Television | p. 281 |
| Signal Processing | p. 282 |
| Image Processing | p. 282 |
| Television and Video Recording Systems | p. 282 |
| Historical Television Books | p. 283 |
| Biographies of John Logie Baird | p. 284 |
| Author's Publications | p. 284 |
| Index | p. 287 |
| Table of Contents provided by Syndetics. All Rights Reserved. |
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