INTRODUCTION Paradoxes of Rule | 11 | (32) | |||
Surveying African Royal Art | 11 | (5) | |||
African Courts and the Colonial Legacy: Buganda and Mangbetu | 16 | (8) | |||
Studies in African Kingship | 24 | (2) | |||
The Sacred King as Sinner King | 26 | (3) | |||
The King as All-Knowing and the King as Fool | 29 | (3) | |||
The Model King as an Idiom of Royal Imperfection | 32 | (2) | |||
The Healing King as Sorcerer and Transsexual | 34 | (2) | |||
The Progenitor King as Royal Appropriator | 36 | (7) | |||
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43 | (36) | |||
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43 | (7) | |||
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50 | (5) | |||
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55 | (3) | |||
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58 | (2) | |||
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60 | (4) | |||
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64 | (2) | |||
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66 | (2) | |||
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68 | (3) | |||
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71 | (8) | |||
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79 | (46) | |||
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79 | (4) | |||
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83 | (4) | |||
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87 | (5) | |||
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92 | (2) | |||
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94 | (2) | |||
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96 | (2) | |||
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98 | (3) | |||
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101 | (4) | |||
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105 | (2) | |||
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107 | (3) | |||
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110 | (2) | |||
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112 | (8) | |||
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120 | (5) | |||
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125 | (40) | |||
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125 | (8) | |||
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133 | (1) | |||
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133 | (4) | |||
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137 | (2) | |||
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139 | (7) | |||
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146 | (6) | |||
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152 | (3) | |||
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155 | (7) | |||
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162 | (3) | |||
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165 | (36) | |||
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165 | (4) | |||
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169 | (5) | |||
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174 | (2) | |||
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176 | (3) | |||
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179 | (2) | |||
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181 | (4) | |||
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185 | (4) | |||
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189 | (1) | |||
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190 | (3) | |||
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193 | (3) | |||
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196 | (5) | |||
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201 | (48) | |||
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201 | (28) | |||
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202 | (2) | |||
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204 | (3) | |||
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207 | (4) | |||
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211 | (1) | |||
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211 | (3) | |||
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214 | (2) | |||
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216 | (4) | |||
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220 | (2) | |||
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222 | (7) | |||
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229 | (20) | |||
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229 | (2) | |||
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231 | (1) | |||
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232 | (1) | |||
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233 | (3) | |||
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236 | (5) | |||
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241 | (1) | |||
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242 | (7) | |||
CONCLUSION The Continuing Vitality of Africa's Courtly Arts | 249 | (3) | |||
TIMELINE | 252 | (8) | |||
GLOSSARY | 260 | (1) | |||
BIBLIOGRAPHY | 261 | (5) | |||
PICTURE CREDITS | 266 | (2) | |||
INDEX | 268 |
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