CART

(0) items

Sarah's Key,9780312370848

Sarah's Key

by
Edition:
Reprint
ISBN13:

9780312370848

ISBN10:
0312370849
Media:
Paperback
Pub. Date:
9/30/2008
Publisher(s):
St. Martin's Griffin
List Price: $13.95

Rent Book

(Recommended)
 
Term
Due
Price
$7.67

Buy Used Book

Usually Ships in 2-3 Business Days
$9.07

Buy New Book

In Stock Usually Ships in 24 Hours
$10.41

eBook

We're Sorry
Not Available

More New and Used
from Private Sellers
Starting at $0.01

Questions About This Book?

Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the Reprint edition with a publication date of 9/30/2008.
What is included with this book?
  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
  • The Used copy of this book is not guaranteed to inclue any supplemental materials. Typically, only the book itself is included.
  • The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.

Summary

Paris, July 1942: Sarah, a ten year-old girl, is brutally arrested with her family by the French police in the Vel d Hiv roundup, but not before she locks her younger brother in a cupboard in the family's apartment, thinking that she will be back within a few hours. Paris, May 2002: On Vel d Hivs 60th anniversary, journalist Julia Jarmond is asked to write an article about this black day in France's past. Through her contemporary investigation, she stumbles onto a trail of long-hidden family secrets that connect her to Sarah. Julia finds herself compelled to retrace the girl's ordeal, from that terrible term in the Vel d Hiv, to the camps, and beyond. As she probes into Sarah's past, she begins to question her own place in France, and to reevaluate her marriage and her life. Tatiana de Rosnay offers us a brilliantly subtle, compelling portrait of France under occupation and reveals the taboos and silence that surround this painful episode.

Author Biography

TATIANA DE ROSNAY was born in the suburbs of Paris and is of English, French and Russian descent.  She is the author of nine French novels.  She also writes for French ELLE, and is a literary critic for Psychologies magazine. Tatiana de Rosnay is married and has two children.  SARAH'S KEY is her first novel written in her mother tongue, English.

Table of Contents

"A wonderful book." --Joy Behar, The View 

“This is the shocking, profoundly moving and morally challenging story...  It will haunt you, it will help to complete you… nothing short of miraculous.”  -Augusten Burroughs
 
“Just when you thought you might have read about every horror of the Holocaust, a book will come along and shine a fierce light upon yet another haunting wrong.  SARAH'S KEY is such a novel.  In remarkably unsparing, unsentimental prose... through a lens so personal and intimate, it will make you cry--and remember.” -Jenna Blum, author of Those Who Save Us
 
"A haunting, riveting novel... This book grabs your heart in the opening chapter, and its scenes and characters stay with you long after you finish." --Publishers Weekly, a PW 2008 Staff Pick
 
“Masterly and compelling, it is not something that readers will quickly forget. Highly recommended.”-Library Journal, Starred Review

“Exceptional, emotional, and compelling…” – Sacramento Bee

“A powerful novel… Tatiana de Rosnay has captured the insane world of the Holocaust and the efforts of the few good people who stood up against it in this work of fiction more effectively than has been done in many scholarly studies. It is a book that makes us sensitive to how much evil occurred and also to how much willingness to do good also existed in that world.” --Rabbi Jack Riemer, South Florida Jewish Journal
 
“A remarkable novel written with eloquence and empathy.” -Paula Fox, author of Borrowed Finery
 
"A story of hearts broken, first by the past, then by family secrets, and the truth that begins to repair the pieces. A beautiful novel." -Linda Francis Lee, bestselling author of The Ex-Debutante
 
“SARAH’S KEY unlocks the star crossed, heart thumping story of an American journalist in Paris and the 60-year-old secret that could destroy her marriage.  This book will stay on your mind long after it's back on the shelf.” –Risa Miller, author of Welcome to Heavenly Heights
 
“This is a remarkable historical novel... it's a book that impresses itself upon one's heart and soul forever.” –Naomi Ragen, author of The Saturday Wife

Excerpts

 Paris, July 1942

The girl was the first to hear the loud pounding on the door. Her room was closest to the entrance of the apartment. At first, dazed with sleep, she thought it was her father, coming up from his hiding place in the cellar. He’d forgotten his keys, and was impatient because nobody had heard his first, timid knock. But then came the voices, strong and brutal in the silence of the night. Nothing to do with her father. “Police! Open up ! Now !” The pounding took up again, louder. It echoed to the marrow of her bones. Her younger brother, asleep in the next bed, stirred. “Police ! Open up ! Open up !” What time was it ? She peered through the curtains. It was still dark outside.
She was afraid. She remembered the recent, hushed conversations she had overheard, late at night, when her parents thought she was asleep. She had crept up to the living room door and she had listened and watched from a little crack through the panel. Her father’s nervous voice. Her mother’s anxious face. They spoke their native tongue, which the girl understood, although she was not as  fluent as them. Her father had whispered that times ahead would be difficult. That they would have to be brave and very careful. He pronounced  strange, unknown  words : ‘camps’, ‘roundup, a big roundup’, ‘early morning arrests’,  and the girl wondered what all of it meant. Her father had  murmured that only the men were in danger, not the women, not the children, and that he would hide in the cellar every night.
He had explained to the girl in the morning that it would be safer if he slept downstairs, for a little while. Till “things got safe”. What “things”, exactly,  thought the girl. What was “safe” ?  When would things be “safe”  again ? She wanted to find out what he had meant by ‘camp’ and ‘roundup’, but she worried about admitting she had eavesdropped on her parents, several times. So she had not dared  ask him.
“Open up ! Police !”
 Had the police found Papa in the cellar, she asked herself, was that why they were here, had the police  come to take Papa to the places he had mentioned during those hushed midnight talks :  the ‘camps’, far away, out of the city ?
 The girl padded fast on silent feet to her mother’s room, down the corridor. Her mother awoke the minute she felt a hand on her shoulder.
“It’s the police, Maman, ” the girl whispered,  “they’re banging on the door.”
Her mother swept her legs from under the sheets, brushed her hair out of her eyes. The girl thought she looked tired, old, much older than her thirty years.
“Have they come to take Papa away ?” pleaded the girl, her hands on her mother’s arms, “have they come for him ?”
The mother did not answer. Again the loud voices down the hallway. The mother swiftly  put a dressing gown over her night dress, then she took the girl by the hand and went to the door. Her hand was hot and clammy, like a child’s, the girl thought.
“Yes ?” the mother  said timidly, without opening the latch.
A man’s voice. He shouted her name.
“Yes, Monsieur, that is me,” she answered. Her accent came out strongly, almost harsh.
 “Open up. Immediately. Police.”
 The mother put a hand to her throat  and the girl noticed how pale she was.  She seemed drained,  frozen. As if she could no longer move. The girl had never seen such fear on her mother’s face. She felt her mouth go dry with anguish.
 The men banged again. The mother opened the door with clumsy, trembling fingers. The girl winced, expecting to see green-grey suits.
 Two men stood there. One was a policeman, wearing his dark blue knee length cape and high, round cap. The other man  wore a beige raincoat. He had a list in his hand. Once again, he said the woman’s name. And the father’s name. He spoke perfect French. Then we are safe, thought the girl. If they are French, and not German,  we are not in danger. If they are French, they will not harm us.
The mother pulled her daughter close to her. The girl could feel the woman’s heart beating through her dressing gown. She wanted to push her mother away, she wanted her mother to stand up straight and look at the men boldly, to stop cowering, to prevent her heart from beating like that, like a frightened animal’s. She wanted her mother to be brave.
“My husband is…not here,” stuttered the mother. “ I don’t know where he is. I don’t know.”
The man with the beige raincoat shoved his way into the apartment.
 “Hurry up, Madame. You have ten minutes. Pack some clothes. Enough for a couple of days.”
 The mother did not move. She stared at the policeman. He was standing on the landing, his back to the door. He seemed indifferent, bored. She put a hand on his navy  sleeve.
 “Monsieur, please-” she began.
 The policeman turned, brushing her hand away. A hard, blank expression in his eyes.
 “You heard me.  You are coming with us. Your daughter  too. Just do as you are told.”

Paris, May 2002

Bertrand was late, as usual. I tried not to mind, but I did. Zoë lolled back against the wall, bored. She looked so much like her father, it sometimes made me smile. But not today. I glanced up at the ancient, tall building. Mamé’s place. Bertrand’s grandmother’s old apartment. And we were going to live there. We were going to leave the boulevard du Montparnasse, its noisy traffic, incessant ambulances due to three neighboring hospitals, its cafés and restaurants, for this quiet, narrow street on the right bank of the Seine.
The Marais was not an arrondissement I was familiar with, although I did admire its ancient, crumbling beauty. Was I happy about the move ? I wasn’t sure. Bertrand hadn’t really asked my advice. We hadn’t discussed it much at all, in fact. With his usual gusto, he had gone ahead with the whole affair. Without me.
 “There he is,” said Zoë. “ Only half an hour late.”
We watched Bertrand saunter up the street with his particular, sensual strut. Slim, dark, oozing sex appeal, the archetypal Frenchman.  He was on the phone, as usual. Tailing behind him was his business associate, the bearded and pink-faced Antoine. Their offices were on the rue de l’Arcade, just behind the Madeleine. Bertrand had been part of an architect firm for a long time, since before our marriage, but he had started out on his own, with Antoine, five years ago.
Bertrand waved to us, then pointed to the phone, lowering his eyebrows and scowling.
“Like he can’t get that person off the phone,” scoffed Zoë. “ Sure.”
Zoë was only eleven, but it sometimes felt like she was already a teenager. First, her height, which dwarfed all her girlfriends, --as well as her feet, she would add grimly--, and then a precocious lucidity that often made me catch my breath. There was something adult about her solemn, hazel gaze, the reflective way she lifted her chin. She had always been like that, even as a little child. Calm, mature, sometimes too mature for her age.
Antoine came to greet us while Bertrand went on with his conversation, just about loud enough for the entire street to hear, waving his hands in the air, making more faces, turning around from time to time to make sure we were hanging on to every word.
“A problem with another architect,” explained Antoine with a discreet smile.
 “A rival ?” said Zoë.
 “Yes, a rival,” replied Antoine.
 Zoë sighed.
 “Which means we could be here all day.”
 I had an idea.
  “Antoine, do you by any chance have the key to Madame Tézac’s apartment ?”
 “I do have it, Julia, ” he said, beaming. Antoine always spoke English to my French. I suppose he did it to be friendly, but it secretly annoyed me. I felt like my French still wasn’t any good, after living here all these years.
Antoine flourished the key. We decided to go up, the three of us. Zoë punched out the digicode at the door with deft fingers. We walked through the leafy, cool courtyard to the elevator.
“I hate that elevator,” said Zoë. “Papa should do something about it.”
“Honey, he’s only redoing your great-grandmother’s place,” I pointed out. “Not the whole building.”
 “Well, he should,” she said.
As we waited for the elevator, my mobile phone chirped out the Darth Vader theme. I peered at the number flashing on my screen. It was Joshua, my boss.
I answered : “Yup ?”
 Joshua was to the point. As usual.
 “Need you back by three. Closing July issues. Over and out.”
 “Gee whiz,” I said pertly. I heard a chuckle on the other end of the line, before he hung up. Joshua always seemed to like it when I said gee whiz. Maybe it reminded him of his youth.  Antoine seemed amused by my old-fashioned Americanisms. I imagined him hoarding them up, then trying them out with his French accent.
 The elevator was one of those inimitable Parisian contraptions with a diminutive cabin, hand-maneuvered iron screen and double wooden doors that inevitably swung in your face. Squashed between Zoë and Antoine –a trifle heavy-handed with his Vétiver scent--, I caught a glimpse of my face in the mirror as we glided up. I looked as eroded as the groaning lift. What had happened to the fresh-faced belle from Boston, Mass. ? The woman who stared back at me was at that dreaded age between forty-five and fifty, that no-man’s land of sag, oncoming wrinkle and stealthy approach of menopause.
 “I hate this elevator too,” I said grimly.
Zoë grinned and pinched my cheek.
“Mom, even Gwyneth Paltrow would look like hell in that mirror.”
I had to smile. That was such a Zoë-like remark. 



Please wait while the item is added to your cart...