Three Days Before the Shooting . . .

NATIONAL BESTSELLER "[A]n extraordinary book, a work of staggering virtuosity. With its publication, a giant world of literature has just grown twice as tall."--Newsday From Ralph Ellison--author of the classic novel of African-American experience,Invisible Man--the long-awaited second novel. Here is the master of American vernacular--the rhythms of jazz and gospel and ordinary speech--at the height of his powers, telling a powerful, evocative tale of a prodigal of the twentieth century. "Tell me what happened while there's still time," demands the dying Senator Adam Sunraider to the itinerate Negro preacher whom he calls Daddy Hickman. As a young man, Sunraider was Bliss, an orphan taken in by Hickman and raised to be a preacher like himself. Bliss's history encompasses the joys of young southern boyhood; bucolic days as a filmmaker, lovemaking in a field in the Oklahoma sun. And behind it all lies a mystery: how did this chosen child become the man who would deny everything to achieve his goals? Brilliantly crafted, moving, wise,Juneteenthis the work of an American master.

Ralph Ellison was born in Oklahoma City in 1914. He is the author of the novel Invisible Man (1952), winner of the National Book Award and one of the most important and influential American novels of the twentieth century, as well as numerous essays and short stories. He died in New York City in 1994.

John F. Callahan is Morgan S. Odell Professor of Humanities at Lewis and Clark College in Portland, Oregon. He is the editor of the Modern Library edition of The Collected Essays of Ralph Ellison and is literary executor of Ralph Ellison's estate.


From the Hardcover edition.

Chapter One


Two days before the shooting a chartered planeload of Southern Negroes swooped down upon the District of Columbia and attempted to see the Senator. They were all quite elderly: old ladies dressed in little white caps and white uniforms made of surplus nylon parachute material, and men dressed in neat but old-fashioned black suits, wearing wide-brimmed, deep-crowned panama hats which, in the Senator's walnut-paneled reception room now, they held with a grave ceremonial air. Solemn, uncommunicative and quietly insistent, they were led by a huge, distinguished-looking old fellow who on the day of the chaotic event was to prove himself, his age notwithstanding, an extraordinarily powerful man. Tall and broad and of an easy dignity, this was the Reverend A. Z. Hickman--better known, as one of the old ladies proudly informed the Senator's secretary, as "God's Trombone."

This, however, was about all they were willing to explain. Forty-four in number, the women with their fans and satchels and picnic baskets, and the men carrying new blue airline take-on bags, they listened intently while Reverend Hickman did their talking.

"Ma'am," Hickman said, his voice deep and resonant as he nodded toward the door of the Senator's private office, "you just tell the Senator that Hickman has arrived. When he hears who's out here he'll know that it's important and want to see us."

"But I've told you that the Senator isn't available," the secretary said. "Just what is your business? Who are you, anyway? Are you his constituents?"

"Constituents?" Suddenly the old man smiled. "No, miss," he said, "the Senator doesn't even have anybody like us in his state. We're from down where we're among the counted but not among the heard."

"Then why are you coming here?" she said. "What is your business?"

"He'll tell you, ma'am," Hickman said. "He'll know who we are; all you have to do is tell him that we have arrived. . . ."

The secretary, a young Mississippian, sighed. Obviously these were Southern Negroes of a type she had known all her life--and old ones; yet instead of being already in herdlike movement toward the door they were calmly waiting, as though she hadn't said a word. And now she had a suspicion that, for all their staring eyes, she actually didn't exist for them. They just stood there, now looking oddly like a delegation of Asians who had lost their interpreter along the way, and were trying to tell her something which she had no interest in hearing, through this old man who himself did not know the language. Suddenly they no longer seemed familiar, and a feeling of dreamlike incongruity came over her. They were so many that she could no longer see the large abstract paintings hung along the paneled wall, nor the framed facsimiles of State Documents which hung above a bust of Vice-President Calhoun. Some of the old women were calmly plying their palm-leaf fans, as though in serene defiance of the droning air conditioner. Yet she could see no trace of impertinence in their eyes, nor any of the anger which the Senator usually aroused in members of their group. Instead, they seemed resigned, like people embarked upon a difficult journey who were already far beyond the point of no return. Her uneasiness grew; then she blotted out the others by focusing her eyes narrowly upon their leader. And when she spoke again her voice took on a nervous edge.

"I've told you that the Senator isn't here," she said, "and you must realize that he is a busy man who can only see people by appointment. . . ."

"We know, ma'am," Hickman said, "but . . ."

"You don't just walk in here and expect to see him on a minute's notice."

"We understand that, ma'am," Hickman said, looking mildly into her eyes, his close-cut white head tilted to one side, "but this is something that developed of a sudden. Couldn't you reach him by long distance? We'd pay the charges. And I don't eve

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Excerpted from Three Days Before the Shooting... by Ralph Ellison
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