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Second Simplicity : New Poetry and Prose, 1991-2011
by Yves Bonnefoy; Translated by Hoyt RogersISBN13:
9780300176254
ISBN10:
0300176252
Format:
Trade Book
Pub. Date:
1/24/2012
Publisher(s):
Yale University Press
List Price: $30.00
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This is the edition with a publication date of 1/24/2012.
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Summary
Yves Bonnefoy, now 87 years old, has enjoyed during the past two decades perhaps the most prolific and innovative period of his splendid lifework. This volume presents in English and French an inviting array of his recent writings, carefully selected for their literary quality as well as their broad appeal. It features several works never published before and many that have never been translated into English. The first anthology of Bonnefoy's work to appear since 1995, this collection reflects the poet's powerful engagement with the New England landscape, where quiet woods and fields have given shape to the pared-down aesthetic of his recent years. The book is the first to showcase not only the poetry for which Bonnefoy is justly renowned but also his inventive compositions in prose. Appropriately, the book alternates more traditional verse with freer forms, just as the author has done in several major works of the past twenty years; that symbiotic approach is one of the hallmarks of this latter phase of his art. Masterfully translated by Hoyt Rogers, the collection is organized chronologically, revealing clearly how the poet continues to extend and refine his scope and style. Rogers provides a penetrating introduction in which he analyzes aspects of Bonnefoy's recent writings and the "second simplicity" that characterizes his late work.
Author Biography
Yves Bonnefoy, poet, essayist, translator, and art historian, is widely admired as France's greatest living poet. He lives in France. Hoyt Rogers's poems, stories, and essays, as well as his translations from French, German, and Spanish, appear in a wide variety of books and periodicals. He lives in the Dominican Republic.
Table of Contents
| Acknowledgments | p. ix |
| Introduction: The Second Simplicity of Yves Bonnefoy | p. xi |
| From Début et fin de la neige (Beginning and End of the Snow) | p. 1 |
| “ Première neige …” ("First snowfall …") | p. 2 |
| Le miroir (The Mirror) | p. 4 |
| La charrue (The Plow) | p. 6 |
| Le peu d'eau (A Bit of Water) | p. 8 |
| Le jardin (The Garden) | p. 10 |
| L'été encore (Summer Again) | p. 12 |
| “On dirait” ("It's like …") | p. 14 |
| Noli me tangere (Noli Me Tangere) | p. 16 |
| “Juste avant l'aube …” ("Just before "dawn …") | p. 18 |
| Les flambeaux (The Torches) | p. 20 |
| Hopkins Forest (Hopkins Forest) | p. 24 |
| La seule rose (The Only Rose) | p. 30 |
| From La vie errante (The Wandering Life) | p. 37 |
| Impressions, soleil couchant (Impressions at Sunset) | p. 38 |
| De vent et de fumée (From Wind and Smoke) | p. 40 |
| Une pierre (A Stone) | p. 52 |
| Le canot de Samuel Beckett (Beckett's Dinghy) | p. 54 |
| From Les planches courbes (The Curved Planks) | p. 63 |
| Une pierre (A Stone) | p. 64 |
| Une pierre (A Stone) | p. 66 |
| Une pierre (A Stone) | p. 68 |
| Une pierre (A Stone) | p. 70 |
| Une pierre (A Stone) | p. 72 |
| Une pierre (A Stone) | p. 74 |
| Une pierre (A Stone) | p. 76 |
| Une pierre (A Stone) | p. 78 |
| Une pierre (A Stone) | p. 80 |
| “ Passant, ce sont des mots …” ("Passer-by, these are words…") | p. 82 |
| La pluie sur le ravin (Rain Falls on the Ravine) | p. 84 |
| La maison natale (The House Where I Was Born) | p. 88 |
| Les planches courbes (The Curved Planks) | p. 112 |
| From Dans un débris de miroir (In a Shard of Mirror) | p. 119 |
| Trois souvenirs de Borges (Three Recollections of Borges) | p. 120 |
| From La tongue chaíne de 1'ancre (The Anchor's Long Chain) | p. 145 |
| Ales Stenar (Ales Stenar) | p. 146 |
| L'Amérique (America) | p. 154 |
| Le peintre dont le nom est la neige (The Painter Named Snow) | p. 170 |
| Les noms divins (Naming the Divine) | p. 174 |
| Le tombeau de Leon-Battista Alberti (Alberti's Tomb) | p. 184 |
| Le tombeau de Charles Baudelaire (Baudelaire's Tomb) | p. 186 |
| L'arbre de la rue Descartes (The Tree on Descartes Street) | p. 188 |
| L'invention de la flute à sept tuyaux (The Invention of the Seven-Pipe Flute) | p. 190 |
| Le tombeau de Giacomo Leopardi (Leopardi's Tomb) | p. 192 |
| Mahler, Le chant de la terre (Mahler, The Song of the Earth) | p. 194 |
| Le tombeau de Stéphane Mallarmé (Mallarmé's Tomb) | p. 196 |
| À l'auteur de “ La nuit ” (To the Author of "Night") | p. 198 |
| San Giorgio Maggiore (San Giorgio Maggiore) | p. 200 |
| Sur trois tableaux de Poussin (On Three Paintings by Poussin) | p. 202 |
| Ulysse passe devant Ithaque (Ulysses Passes Ithaca) | p. 204 |
| San Biagio, à Montepulciano (San Biagio, at Montepulciano) | p. 206 |
| Une pierre (A Stone) | p. 208 |
| Le tombeau de Paul Verlaine (Verlaine's Tomb) | p. 210 |
| Un souvenir d'enfance de Wordsworth (A Childhood Memory of Wordsworth's) | p. 212 |
| Remarques sur l'horizon (Remarks on the Horizon) | p. 214 |
| Une variante de la sortie du jardin (Leaving the Garden: A Variant) | p. 226 |
| Une autre variante (Another Variant) | p. 236 |
| From Raturer outre (Crossing Out and In) | p. 245 |
| Une photographie (A Photograph) | p. 246 |
| Encore une photographie (Another Photograph) | p. 248 |
| Un souvenir (A Memory) | p. 250 |
| Le nom perdu (The Lost Name) | p. 252 |
| Le pianiste (The Pianist) | p. 258 |
| From L'heure presente (The Present Hour) | p. 263 |
| Voix entendue près d'un temple (Voice Heard near a Temple) | p. 264 |
| Bête effrayée (Scared Animal) | p. 270 |
| Première ébauche d'une mise en scène d'Hamlet (First Sketch for a Staging of Hamlet) | p. 274 |
| Hamlet en montagne (Hamlet in the Mountains) | p. 280 |
| Select Bibliography | p. 288 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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