Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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Acknowledgments | p. VII |
Introduction | p. 1 |
Tin Pan Alley on tour | p. 23 |
The Southern Embrace of Commercial Music | |
Making Money Making Music | p. 51 |
The Education of Southern Musicians in Local Markets | |
Isolating Folk, Isolating Songs | p. 85 |
Reimagining Southern Music as Folklore | |
Southern Musicians and the Lure of New York City | p. 121 |
Representing the South from Coon Songs to the Blues | |
Talking Machine World | p. 157 |
Discovering Local Music in the Global Phonograph Industry | |
Race Records and old-time Music | p. 187 |
The Creation of Two Marketing Categories in the 1920s | |
Black Folk and Hillbilly Pop | p. 215 |
Industry Enforcement of the Musical Color Line | |
Reimagining Pop Tunes as Folk Songs | p. 241 |
The Ascension of the Folkloric Paradigm | |
Afterword "All Songs is Folk Songs" | p. 275 |
Notes | p. 283 |
Bibliography | p. 327 |
Index | p. 351 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.