the problem of adaptation | p. 1 |
Surviving performance: Shakespeare's contested works | p. 11 |
Identifying the dramatic work in text and performance | p. 13 |
Shakespeare performance and/as interpretation | p. 19 |
Textual production | p. 23 |
Pragmatic adaptation | p. 27 |
Defining the work through production, or what adaptation is not | p. 32 |
Recognizing Hamlet | p. 34 |
Recognizing the Royal Shakespeare Company | p. 45 |
Entangled in the present: Shakespeare and the politics of production | p. 65 |
Writing the present, exorcizing the past: Djanet Sears' Harlem Duet | p. 70 |
Dancing with art: Robert Lepage's Elsinore | p. 89 |
Adapting media: ShakespeaRe-Told by the BBC | p. 103 |
Strategies of appropriation: Shakespeare's 'divorce comedies' | p. 104 |
Writing Shakespeare's Macbeth for television | p. 112 |
Mediated proximities, or much ado about 'noting' | p. 119 |
(Re)Telling Dream, building digital Britain | p. 126 |
Textual origins | p. 140 |
Notes | p. 165 |
Bibliography | p. 193 |
Index | p. 210 |
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