9780195175066

Shots in the Mirror Crime Films and Society

by
  • ISBN13:

    9780195175066

  • ISBN10:

    0195175069

  • Edition: 2nd
  • Format: Paperback
  • Copyright: 4/20/2006
  • Publisher: Oxford University Press

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Get Rewarded for Ordering Your Textbooks! Enroll Now
  • We Buy This Book Back!
    In-Store Credit: $4.20
    Check/Direct Deposit: $4.00

Supplemental Materials

What is included with this book?

  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
  • The Used and Rental copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Summary

Movies play a central role in shaping our understanding of crime and the world generally, helping us define what is good and bad, desirable and unworthy, lawful and illicit, strong and weak. Crime films raise controversial issues about the distribution of social power and the meanings ofdeviance, and they provide a safe space for fantasies of rebellion, punishment, and the restoration of order. In the first comprehensive study of its kind, well-known criminologist Nicole Rafter examines the relationship between society and crime films from the perspectives of criminal justice, film history and technique, and sociology. Shots in the Mirror begins with an overview of the history of crimefilms and the emergence of various genres, surveying important films from the silent era, the early gangster films of the '30s, classic film noir, the work of Hitchcock, and recent innovations by Scorsese, Tarrentino, and the Coen brothers. Keeping pace with the evolution of crime films, Shots in the Mirror has been updated to respond to recent developments, trends, and shifting circumstances in the genre. This new edition expands the scope and increases the depth and variety of the previous edition by including foreign films inaddition to American movies. Rafter also integrates an entirely new body of literature into the study, reflecting the rapid expansion of scholarship on law-related films over the past three years. She has added a chapter on psycho movies, a previously unrecognized subcategory of crime films. Anothernew chapter, "The Alternative Tradition and Films of Moral Ambiguity," focuses on recent sex crime films. This new final chapter grows organically out of the first edition's distinction between traditional crime films, with their easy solutions to social problems, and those more unusual criticalfilms which belong to the bleaker, morally ambiguous, alternative tradition. Rafter examines more than three hundred films in this study, considering what they have to say, socially and ideologically, about the causes of crime, and adding valuable contributions to the on-going debate on whether media representations of violence cause crime. Shots in the Mirror is both amarvelous history of crime films and a trenchant analysis of their complex relationship to larger society.

Author Biography


Nicole Rafter teaches at Northeastern University in the College of Criminal Justice, and is a professor in the Law, Policy, and Society Program.

Table of Contents

Note on Use of Dates xvii
Introduction: Crime Films and Society 3(18)
The History of Crime Films---by Drew Todd
21(40)
Why They Went Bad: Criminology in Crime Films
61(26)
Slasher, Serial Killer, and Psycho Movies
87(22)
Cop and Detective Films
109(26)
Criminal Law Films
135(28)
Prison and Execution Films
163(26)
The Heroes of Crime Films
189(24)
The Alternative Tradition and Films of Moral Ambiguity
213(22)
Appendix Crime Films Cited with Release Dates 235(6)
References 241(10)
Index 251

Rewards Program

Write a Review