Foreword to the First Edition | p. vii |
Preface to the Second Edition | p. ix |
Acknowledgments | p. xi |
Contributing Authors | p. xiii |
Introduction | p. xv |
Pedagogical Philosophy | p. 1 |
Primal Sound | p. 17 |
Postural Alignment | p. 23 |
Breathing and Support | p. 41 |
Phonation and the Speaking Voice | p. 63 |
Resonance | p. 87 |
Articulation | p. 103 |
Artistry and Performance | p. 135 |
The Teaching and Learning Partnership Part 1. The Singer's Journey: A Case Study of Eleven Singers Associated with the Studio | p. 145 |
The Teaching and Learning Partnership Part 2. The H-Factor: Working Holistically Within the Teaching and Learning Partnership | p. 161 |
Vocal and Respiratory Anatomy and Physiology | p. 191 |
Voice and the Brain | p. 217 |
Hearing and Singing | p. 233 |
Working with the Professional Singer | p. 247 |
From Performer to Pedagogue: A Multidisciplinary Route | p. 259 |
Exercises | p. 273 |
Core Capabilities for Teachers and Singers | p. 309 |
Priorities in Developing the Young Adult Classical Singer at Music College | p. 323 |
Index | p. 331 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.