More New and Used
from Private Sellers
Usually Ships in 3-5 Business Days
Starting at $25.58
Questions About This Book?
Why should I rent this book?
Renting is easy, fast, and cheap! Renting from eCampus.com can save you hundreds of dollars compared to the cost of new or used books each semester. At the end of the semester, simply ship the book back to us with a free UPS shipping label! No need to worry about selling it back.
How do rental returns work?
Returning books is as easy as possible. As your rental due date approaches, we will email you several courtesy reminders. When you are ready to return, you can print a free UPS shipping label from our website at any time. Then, just return the book to your UPS driver or any staffed UPS location. You can even use the same box we shipped it in!
What version or edition is this?
This is the edition with a publication date of 3/1/2013.
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.
- The Rental copy of this book is not guaranteed to include any supplemental materials. You may receive a brand new copy, but typically, only the book itself.
Rodgers and Hammerstein's Tony and Pulitzer Prize-winning musical "South Pacific" has remained a mainstay of the American musical theater since it opened in 1949, and its powerful message about racial intolerance continues to resonate with twenty-first century audiences. Drawing on extensive research in the Rodgers and the Hammerstein papers, including Hammerstein's personal notes on James A. Michener'sTales of the South Pacific, Jim Lovensheimer offers a fascinating reading of "South Pacific" that explores the show's complex messages and demonstrates how the presentation of those messages changed throughout the creative process. Indeed, the author shows how Rodgers and especially Hammerstein continually refined and softened the theme of racial intolerance until it was more acceptable to mainstream Broadway audiences. Likewise, Lovensheimer describes the treatment of gender and colonialism in the musical, tracing how it both reflected and challenged early Cold War Era American norms. The book also offers valuable background to the writing of "South Pacific," exploring the earlier careers of both Rodgers and Hammerstein, showing how they frequently explored serious social issues in their other works, and discussing their involvement in the political movements of their day, such as Hammerstein's founding membership in the Hollywood Anti-Nazi League. Finally, the book features many wonderful appendices, including two that compare the original draft and final form of the classic songs "I'm Gonna Wash That Man Right Out-a My Hair" and "I'm In Love With a Wonderful Guy." Thoroughly researched and compellingly written, this superb book offers a rich, intriguing portrait of a Broadway masterpiece and the era in which it was created.
Jim Lovensheimer is Assistant Professor of Musicology at Vanderbilt University.
Table of Contents
Chapter 1: Who Can Explain It?
Chapter 2: The Musical is the Message
Chapter 3: An Adaptable Source: Michener's Tales of the South Pacific
Chapter 4: False Starts: The Disappearance of Bill Harbison and Dinah Culbert
Chapter 5: You've Got to be Carefully Rewritten: The Distillation of Racial Intolerance
Chapter 6: Nellie and the Boys: Situating Gender in South Pacific
Chapter 7: Culture Clash: Colonialism and South Pacific
Appendix A: The Structure of Tales of the South Pacific
Appendix B: Scene breakdown for South Pacific
Appendix C: "The Bright Young Executive of Today"
Appendix D: Comparison of final version and draft of "I'm Gonna Wash That Man Right Out-a My Hair"
Appendix E: Comparison of final version and draft for "I'm In Love With a Wonderful Guy"
Appendix F: Original form for "Happy Talk."