Foreword | p. 7 |
Specters of Douglas | p. 8 |
Remakre, Readymade, Reconfiguration: Film as Metahistory | p. 30 |
Stan Douglas's Suspiria: Genealogies of Recombinant Narrativity | p. 42 |
Re-: Killing Time | p. 54 |
Our (Imperfect) Man in Havana | p. 94 |
History Art: Nu*tka*, 1996 | p. 112 |
Giving Form to Absence | p. 124 |
Iris into Black: Stan Douglas | p. 142 |
Stan Douglas's Clear and Present Strangeness | p. 154 |
At the Right Place: The Films of Stan Douglas in the Museum | p. 174 |
Descriptions of Installations | p. 186 |
Stan Douglas Biography and Exhibitions | p. 214 |
List of Contributors | p. 215 |
Works in the Exhibition | p. 217 |
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