The String Instrument Family | |
Instruments | |
Bows | |
Accessories and Supplies | |
Selecting String Instruments | |
Care and Maintenance of String Instruments and Bows | |
Summary | |
Resources | |
The School Orchestra Program | |
A Brief History of Orchestra Programs | |
Values of Orchestra Programs in the School Music Curriculum | |
Strategies for Defending the School Orchestra Program | |
Developing Community Support for the Orchestra Program | |
The School Orchestra Curriculum | |
Enhancing the Orchestra Curriculum | |
References | |
Additional Resources | |
Beginning String Class Instruction | |
Guiding Principles for Teaching Beginning String Classes | |
Performance Goals and Objectives of First- and Second-Year String Classes | |
Rote-to-Note Teaching Sequence | |
Strategies for Determining Proper Instrument Sizes | |
Recommended Seating Configuration for Beginning String Classes | |
Pedagogy for Teaching Instrument Position | |
Creating Lesson Plans for Beginning String Class Instruction | |
Additional Instrument Position Teaching Strategies | |
Left-Hand Shape: General Guidelines | |
Pedagogy for Teaching the Left-Hand Shape | |
Pedagogy for Teaching Pizzicato | |
Pedagogy for Teaching Beginning Finger Placement | |
Bowing Instruction: General Guidelines | |
Bow Hand Shape: General Guidelines | |
Pedagogy for Teaching Bow Hand Shape | |
Sound Production Principles | |
Detache Bowing: General Guidelines | |
Pedagogy for Teaching Detache Bowing | |
Beginning String Crossings: General Guidelines | |
Pedagogy for Teaching String Crossings | |
Staccato and Hooked Bowings: General Guidelines | |
Pedagogy for Teaching Staccato and Hooked Bowings | |
Pedagogy for Teaching Slurs | |
Aural Skill Development in Beginning Classes: General Guidelines | |
Pedagogy for Teaching Beginning Aural Skills | |
Strategies for Teaching Instrument Tuning in Beginning String Classes | |
Problem Solving: Beginning Students' Common Playing Problems and Solutions | |
References | |
Additional Resources | |
Intermediate String Class Instruction | |
Performance Goals and Objectives of Third- and Fourth-Year String Classes | |
Pedagogy for Teaching Parallel Bowing | |
Pedagogy for Teaching Smooth Direction Changes | |
Pedagogy for Teaching Tone Production at Different Dynamic Levels | |
Pedagogy for Teaching Moderate-to-Faster Tempo String Crossings | |
Pedagogy for Teaching Slurring More than Four Notes | |
Pedagogy for Teaching Martele Bowing | |
Pedagogy for Teaching Basic Spiccato | |
Pedagogy for Teaching Consistent Lengthened and Balanced Body Posture | |
Pedagogy for Refining Instrument Position | |
Intermediate Left-Hand Skills: General Guidelines | |
Pedagogy for Refining Left-Hand Shapes | |
Pedagogy for Teaching Cello Extensions | |
Shifting: General Principles | |
Pedagogy for Teaching Shifting | |
Vibrato: General Principles | |
Pedagogy for Teaching Vibrato | |
Double Bass Pivoting: General Guidelines | |
Pedagogy for Developing Intermediate Aural Skills in the School Orchestra | |
Intermediate Instrument Tuning | |
Problem Solving: Intermediate Students' Common Playing Problems and Solutions | |
Advanced String Class Instruction | |
Goals and Objectives of Advanced Playing Skills | |
Pedagogy for Teaching Expressive Detache Bowing | |
Pedagogy for Teaching Loure (Portato) Bowing | |
Pedagogy for Tea | |
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