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Three emotions vie for prominence in the religious sphere: peace, love, and fury. Indian literary theorist Abhinavagupta claimed that all aesthetic experience is analogous with union with brahman, and that the aesthetic emotion of peace best approximates this goal of religious experience. Twentieth-century Catholic artistic and liturgical experiments in India explored this religious modality. By contrast, devotees of Krsna have argued that love communicates most powerfully with divinity, an insight that runs parallel with Bernard of Clairvaux's readings of the Song of Songs. Both primary religious emotions, peace and love, arise through embodied practices; yet both also tend to abstract from the material world and marginalize the bodies of the non-elite. The book turns to the other basic human emotions described in rasa theory in order to attend to the material means of evoking and exhibiting emotion. Dalit folk expressions of fury at caste oppression offer a powerful example of participation in the righteous anger of a just God. The implications of this constructive theology of emotion for Christian liturgy, pastoral care, and social engagement are manifold.
Michelle Voss Roberts is Assistant Professor of Theology and Culture at Wake Forest University School of Divinity. She is the award-winning author of Dualities: A Theology of Difference (Westminster John Knox, 2010).