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Tonal Harmony Wkbk with Wkbk Audio CD and Finale CD-ROM,9780072918960
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Tonal Harmony Wkbk with Wkbk Audio CD and Finale CD-ROM

by
Edition:
5th
ISBN13:

9780072918960

ISBN10:
0072918969
Format:
Package
Pub. Date:
8/13/2003
Publisher(s):
McGraw-Hill Humanities/Social Sciences/Languages
List Price: $98.55

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What version or edition is this?
This is the 5th edition with a publication date of 8/13/2003.
What is included with this book?
  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.

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Summary

Designed to meet the needs of the two-year theory curriculum for music majors, this straightforward text emphasizes practicality and ease of use for both the student and the instructor. Its outstanding ancillaries, which include a collection of audio examples on CD and an extensive Instructor's Manual, rounds out the effective teaching package.

Table of Contents

About the Authors
Preface To the Student
Fundamentals
Elements of Pitch
The Keyboard and Octave Registers Notation of the Staff
The Major Scale
The Major Key Signatures Minor Scale Minor Key Signatures Scale
Degree Names Intervals Perfect, Major, and Minor Intervals
Augmented and Diminished Intervals Inversion of Intervals
Consonant and Dissonant Intervals
Summary
Elements of Rhythm Rhythm Durational Symbols Beat and Tempo Meter Division of the Beat Simple
Time Signatures Compound
Time Signatures
Time Signatures Summarized More on Durational Symbols
Summary
Introduction to Triads and Seventh Chords
Introduction Triads Seventh Chords
Inversions of Chords
Inversion Symbols and Figured Bass Lead Sheet Symbols
Recognizing Chords in Various Textures
Summary
Diatonic Chords in Major and Minor Keys Introduction
The Minor Scale Diatonic Triads in Major
Diatonic Triads in Minor
Diatonic Seventh Chords in Major
Diatonic Seventh Chords in Minor
Summary
Diatonic Triads
Principles of Voice Leading Introduction
The Melodic Line Notating Chords Voicing a Singe Triad Parallel Motion
Summary
Root Position Part Writing Introduction Root Position
Part Writing with Repeated Roots Root Position
Part Writing with Roots a 4th (5th) Apart Root Position
Part Writing with Roots a 3rd (6th) Apart Root Position
Part Writing with Roots a 3rd(7th) Apart Instrumental Ranges and Transpositions
Summary
Harmonic Progression Introduction Sequences and the Circle of Fifths
The I and V Chords
The II Chord
The VI Chord
The III Chord
The VII Chord
The IV Chord Common Exceptions Differences in the Minor Mode
Progressions Involving Seventh Chords Harmonizing a Simple Melody
Conclusion
Summary
Triads in First Inversion Introduction Bass Arpeggiation
Substituted First Inversion Triads Parallel Sixth Chords
Part Writing First Inversion Triads Soprano-Bass Counterpoint
Summary
Triads in Second Inversion Introduction Bass
Arpeggiation and the Melodic Bass
The Cadential Six-Four
The Passing Six-Four
The Pedal Six-Four
Part Writing for Second Inversion Triads
Summary
Cadences, Phrases, and Periods Musical Form Cadences
Cadences and Harmonic Rhythm Motives and Phrases Mozart: SAn die Freude Period Forms
Summary
Non Chord Tones 1 Introduction Classification of Non-Chord
Tones Passing
Tones Neighboring
Tones Suspensions and Retardations Figured Bass and Lead Sheet Symbols Embellishing a Simple Texture
Summary
Non-Chord Tones 2 Appoggiaturas Escape Tones
The Neighbor Group Anticipations
The Pedal Point Special Problems in the Analysis of Non-Chord Tones
Summary
Diatonic Seventh Chords
The V7 Chord Introduction General Voice-Leading Considerations
The V7 in Root Position
The V7 in Three Parts Other Resolutions of the V7
The Inverted V7 Chord
The V6/5 Chord
The V4/3 Chord
The V4/2 Chord
The Approach to the Seventh
Summary
The II7 and VII7 Chords Introduction
The II7 Chord
The VII7 Chord in Major
The VII7 Chord in Minor
Summary
Other Diatonic Seventh Chords
The IV7 Chord
The VI7 Chord
The I7 Chord
The III7 Chord Seventh Chords and the Circle-of -Fifths Progression
Summary
Chromaticism 1
Secondary Functions 1
Chromaticism and Altered Chords Secondary Functions
Secondary Dominant Chords Spelling Secondary
Dominants Recognizing Secondary Dominants
Secondary Dominants in Context
Summary
Secondary Functions 2
Secondary Leading-Tone Chords Spelling Secondary
Leading-Tone Chords Recognizing Secondary
Leading-Tone Chords Secondary
Leading-Tone Chords in Context Sequences Involving Secondary
Functions Deceptive Resolutions of Secondary Functions Other
Secondary Functions
Summary
Modulations Using Diatonic Common Chords
Modulation and Change of Key
Modulation and Tonicization Key Relationships Common-Chord Modulation Analyzing Common-Chor
Table of Contents provided by Publisher. All Rights Reserved.


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