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Preface | p. ix |
Acknowledgments | p. x |
Photography | p. 1 |
Overview | p. 2 |
Realism and Formalism | p. 2 |
The Shots | p. 11 |
The Angles | p. 13 |
Light and Dark | p. 18 |
Color | p. 24 |
Lenses, Filters, and Stocks | p. 29 |
Special Effects | p. 35 |
The Cinematographer | p. 39 |
Further Reading | p. 46 |
Mise en Scene | p. 47 |
Overview | p. 48 |
The Frame | p. 48 |
Composition and Design | p. 60 |
Territorial Space | p. 70 |
Proxemic Patterns | p. 81 |
Open and Closed Forms | p. 88 |
Further Reading | p. 97 |
Movement | p. 99 |
Overview | p. 100 |
Kinetics | p. 101 |
The Moving Camera | p. 118 |
Mechanical Distortions of Movement | p. 129 |
Further Reading | p. 139 |
Editing | p. 141 |
Overview | p. 142 |
Continuity | p. 142 |
D. W. Griffith and Classical Cutting | p. 147 |
Soviet Montage and the Formalist Tradition | p. 163 |
Andre Bazin and the Tradition of Realism | p. 178 |
Hitchcock's North by Northwest: Storyboard Version | p. 191 |
Further Reading | p. 216 |
Sound | p. 217 |
Overview | p. 218 |
Historical Background | p. 218 |
Sound Effects | p. 225 |
Music | p. 229 |
Musicals | p. 237 |
Spoken Language | p. 241 |
Further Reading | p. 254 |
Acting | p. 255 |
Overview | p. 256 |
Stage and Screen Acting | p. 257 |
The American Star System | p. 269 |
Styles of Acting | p. 286 |
Casting | p. 299 |
Further Reading | p. 304 |
Drama | p. 307 |
Overview | p. 308 |
Time, Space, and Language | p. 309 |
The Director | p. 318 |
Settings and Decor | p. 323 |
Costumes and Makeup | p. 337 |
Further Reading | p. 348 |
Story | p. 349 |
Overview | p. 350 |
Narratology | p. 352 |
The Spectator | p. 355 |
The Classical Paradigm | p. 359 |
Realistic Narratives | p. 364 |
Formalistic Narratives | p. 368 |
Nonfictional Narratives | p. 371 |
Genre and Myth | p. 377 |
Further Reading | p. 388 |
Writing | p. 389 |
Overview | p. 390 |
The Screenwriter | p. 390 |
The Screenplay | p. 398 |
North by Northwest: Reading Version | p. 403 |
Figurative Comparisons | p. 409 |
Point of View | p. 418 |
Literary Adaptations | p. 421 |
Further Reading | p. 426 |
Ideology | p. 427 |
Overview | p. 428 |
The Left-Center-Right Model | p. 434 |
Culture, Religion, and Ethnicity | p. 443 |
Feminism | p. 454 |
Gay Liberation | p. 462 |
Tone | p. 468 |
Further Reading | p. 471 |
Critique | p. 473 |
Overview | p. 474 |
Theories of Realism | p. 476 |
Formalist Film Theories | p. 483 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.