CART

(0) items

The Unwritten Grotowski: Theory and Practice of the Encounter,9780415534031
This item qualifies for
FREE SHIPPING!

FREE SHIPPING OVER $59!

Your order must be $59 or more, you must select US Postal Service Shipping as your shipping preference, and the "Group my items into as few shipments as possible" option when you place your order.

Bulk sales, PO's, Marketplace Items, eBooks, Apparel, and DVDs not included.

The Unwritten Grotowski: Theory and Practice of the Encounter

by ;
Edition:
1st
ISBN13:

9780415534031

ISBN10:
0415534038
Format:
Hardcover
Pub. Date:
11/2/2012
Publisher(s):
Routledge

Questions About This Book?

What version or edition is this?
This is the 1st edition with a publication date of 11/2/2012.
What is included with this book?
  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any CDs, lab manuals, study guides, etc.

Summary

This book gives a new view on the legacy of Jerzy Grotowski (1933-1999), one of the central, and yet misunderstood, figures who shaped 20th-century theatre, focusing on his least known last phase of work on ancient songs and the craft of the performer. Salata posits Grotowski's work as philosophical practice, and more particularly, as practical research in the phenomenology of being, arguing that Grotowski's departure from theatrical productions (and thus critical consideration) resulted from his uncompromising pursuit of one central problem, "What does it mean to reveal oneself?" - the very question that drove his stage directing work. The book demonstrates that the answer led him through the path of gradually stripping the theatrical phenomenon down to its most elemental aspect, which shows itself through the craft of the performer as a non-representational event. This particular quality released at the heights of the art of the performer is referred to as aliveness, or true livenessin this study in order to shift scholarly focus onto something that has always fascinated great theatre practitioners, including Stanislavski and Grotowski, and of which academic scholarship has limited grasp. Salata's theoretical analysis of aliveness reaches out to phenomenology and a broad range of post-structural philosophy and critical theory, through which Grotowski's project is portrayed as philosophical practice.

Table of Contents

A Note to the Readerp. xi
Prefacep. xiii
Acknowledgmentsp. xv
Prologue: A Journal from a Voyage to the Living Roomp. 1
Grotowski Studies in a New Keyp. 13
The Inner Man and His Deed: Jerzy Grotowski and the Heritage of Adam Mickiewicz and Polish Romanticismp. 60
Towards the Non-(Re)presentational Actor: From Grotowski to Richardsp. 81
Nearness in Creation: From The Twin to The Letterp. 100
Towards a Theory of Aliveness: Pyric Theatrep. 118
Genealogy of Homecoming: A Journey of The Living Roomp. 158
Notesp. 183
Bibliographyp. 207
Indexp. 215
Table of Contents provided by Ingram. All Rights Reserved.


Please wait while the item is added to your cart...