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9780130416940

Urban Culture: Exploring Cities and Cultures

by ;
  • ISBN13:

    9780130416940

  • ISBN10:

    0130416940

  • Format: Nonspecific Binding
  • Copyright: 2004-01-27
  • Publisher: ROUTLEDGE

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Summary

Using contemporary cultural examples as a recurrent theme, this innovative volume examines the various theoretical perspectives and paradigms of urban and cultural analysis. It explores the city's impact on how we make and consume all types of culture: art, music, literature, architecture, film, etc., illustrating not only the effects the urban environment has on the production of culture, but, at times, how culture has influenced the city.The author provides an introduction to why the city matters and details the urban environment, culture in the city, music, art/sculpture and writing/theater, architecture/fashion, photography/film/television, government producing culture such as cities/parades/concerts, spontaneous culture and social movements and deviant culture.For individuals interested in urban culture and sociology.

Author Biography

Alan C. Turley: University of New Orleans

Table of Contents

Prefacep. xi
A Definition of Urban Culturep. 1
Theories of the Cityp. 2
Modern Adaptation of the Chicago Schoolp. 13
Urban Conflict Theory in the Modern Agep. 15
Urban Culturalist Theory as a Modern Applicationp. 18
Roots of Culturep. 19
The Development of Urban Culturep. 20
The Urban Environmentp. 24
Housing in the Urban Landscapep. 24
Race and Classp. 28
Business and Jobs in the Urban Landscapep. 33
Culture Productionp. 36
Evolution of Culture in the Cityp. 41
Institutionalized Religionp. 43
Hierarchy and Classp. 45
Currencyp. 45
Cultural Artifacts That Denote Class and Conspicuous Consumptionp. 46
The Industrial Revolution and Urban Planningp. 54
The Growth of the Suburbsp. 56
Urban Pressure and the Debate on Welfarep. 60
Music in the Cityp. 63
The First Organized Music Makersp. 63
Producing Musical Culturep. 65
The Sociology of Musicianshipp. 68
Music Consumptionp. 71
Race and Class in Urban Music Productionp. 73
Music as a Cultural Artifactp. 76
Urban Music Consumptionp. 78
Los Angeles, New York, and Nashville--The Triumviratep. 80
Style, Sound, and Citiesp. 83
Art and Sculpturep. 88
Ancient Greecep. 89
The Roman Empirep. 94
The Renaissance and Culturep. 96
The Benefits of Urban Culture Productionp. 99
Urban Paintingp. 103
Theater and Literaturep. 108
Architecture and Fashionp. 119
Ancient Urban Architecturep. 119
Modern Urban Architecturep. 122
Housing Discrimination--Race and Classp. 124
Seeking Solutions: Paris, France; St. Louis, Missouri; and Baltimore, Marylandp. 128
Cities Built to Suitp. 130
Fashionp. 138
Public Health as an Impetus for Urban Culture Productionp. 139
Production of Urban Culture through Fashionp. 141
Photography, Film, and Televisionp. 146
How Photographs Built a Cityp. 151
Tinsel Townp. 152
Live Television to Studio Cityp. 158
Government and State Culture Production and Social Movementsp. 165
Cities and Sportsp. 185
Culture Divides a Cityp. 187
Spontaneous Culture and Social Movementsp. 191
Sports Riotsp. 191
Destruction of Culture as Culturep. 193
Urban Uprisings as Urban Political Activismp. 194
Urban Social Movementsp. 201
Rural Social Movementsp. 206
The Bad City versus the Good Cityp. 209
Deviance and Urban Culturep. 209
How Gambling Built a Cityp. 210
White-collar Crimep. 213
Urban Deviancep. 215
Police Crisis Culturep. 217
Rescue Crisis Culturep. 222
Urban Terrorp. 224
Urban Culture Methods for Research and Teachingp. 233
Photo Creditsp. 238
Indexp. 239
Table of Contents provided by Rittenhouse. All Rights Reserved.

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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Excerpts

This book illustrates the effects of the urban environment on the production of culture. It covers music, art, writing, and deviant culture production from the perspective that the urban landscape and urban structure impact the groups of people living in the city. City life has an effect on production and consumption of culture and literally defines where culture can take place. Using urban theory to talk about culture reflects a new approach to a field that hasn't witnessed many new teaching innovations. A book that covers cultural topics together with urban theory and methods will reach modern students in a way in which they haven't before been challenged. Students grasp modern culture better than they grasp any other type of knowledge, so by combining elements of what they know of their world with the theory and methods of urban sociology and anthropology, this book presents pedagogy in a way that is more accessible to students. Applying urban sociology's main theories to new challenges--like examining culture--should make this book more accessible to students of all ages. This book is a text for courses in urban sociology or urban anthropology; it can also be used as the primary text in an urban culture class. Though some of the culture discussed is from ancient times, the text attempts to engage students to apply the urban theories to which they are exposed to the cultural topic being discussed. Hopefully, this will provoke readers to apply these theories on their own, and this is the goal of any urban course--enabling students to use the theories, not just read, memorize, and forget. The first chapters explain the major theories in urban sociology by using culture production in the urban environment as the recurrent theme. Then we will examine music, writing and theater, architecture and fashion, and photography and film as examples of ways to see urban theory in action as well as to get students to use urban theory in new and novel ways. No special artistic knowledge is needed for these chapters; again, the goal is to get students to use urban theories and apply them to culture (something with which they are more comfortable and familiar than with demographical tables or maps). If I have committed some oversight and the artistic explanations are not detailed enough, please contact me at the following, address: Department of Sociology, University of New Orleans, 2000 Lakeshore, New Orleans, LA 70148. I wish to thank the following reviewers for their helpful comments and suggestions: Brian Aldrich, Winona State University; Henry Lee Allan, Wheaton College; Walter F. Carroll, Bridgewater State College; Joe Feagin, University of Florida; W. Richard Goe, Kansas State University; Earl Smith, Wake Forest University; and Renee T. White, Central Connecticut University.

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