What the Eye Hears A History of Tap Dancing

  • ISBN13:


  • ISBN10:


  • Format: Hardcover
  • Copyright: 11/17/2015
  • Publisher: Farrar, Straus and Giroux

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

Purchase Benefits

  • Free Shipping On Orders Over $59!
    Your order must be $59 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer.
  • Get Rewarded for Ordering Your Textbooks! Enroll Now
List Price: $35.00 Save up to $12.25
  • Rent Book $22.75
    Add to Cart Free Shipping


Supplemental Materials

What is included with this book?

  • The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
  • The Rental copy of this book is not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.


Finalist for the National Book Critics Circle Award in Nonfiction

Magisterial, revelatory, and-most suitably-entertaining, What the Eye Hears offers an authoritative account of the great American art of tap dancing. Brian Seibert, a dance critic for The New York Times, begins by exploring tap's origins as a hybrid of the jig and clog dancing from the British Isles and dances brought from Africa by slaves. He tracks tap's transfer to the stage through blackface minstrelsy and charts its growth as a cousin to jazz in the vaudeville circuits and nightclubs of the early twentieth century. Seibert chronicles tap's spread to ubiquity on Broadway and in Hollywood, analyzes its decline after World War II, and celebrates its rediscovery and reinvention by new generations of American and international performers. In the process, we discover how the history of tap dancing is central to any meaningful account of American popular culture. This is a story with a huge cast of characters, from Master Juba (it was probably a performance of his in a Five Points cellar that Charles Dickens described in American Notes for General Circulation) through Bill Robinson and Shirley Temple, Fred Astaire and Ginger Rogers, and Gene Kelly and Paul Draper to Gregory Hines and Savion Glover. Seibert traces the stylistic development of tap through individual practitioners, vividly depicting dancers both well remembered and now obscure. And he illuminates the cultural exchange between blacks and whites over centuries, the interplay of imitation and theft, as well as the moving story of African-Americans in show business, wielding enormous influence as they grapple with the pain and pride of a complicated legacy. What the Eye Hears teaches us to see and hear the entire history of tap in its every step.

Author Biography

Brian Seibert is a dance critic for The New York Times and a contributor to The New Yorker. Born and raised in Los Angeles, he lives in Brooklyn with his wife and daughter. This is his first book.

Table of Contents

Opening Act
Part I: First Steps
1. Stealing Steps
2. Original Steps
3. Imitation Dance
4. Dancing Juba for Eels
5. The American Clog
Part II: Everybody's Doing It Now
6. Big Time
7. The Practical Art of Stage Dancing
8. It's Getting Dark on Old Broadway
Interlude: The Color Line
Part III: America's Natural Way of Dancing
9. Rhythm for Sale
10. How to Hoof in Hollywod
11. Before the Fall
Part IV: Out of Step
12. The Break
13. Continuation
Part V: Putting the Shoes Back On
14. Revival
15. Renaissance
16. Lineage
17. Choreography and the Company Model
18. Black and Blue on Broadway
19. Young Again
Part VI: An American Tradition, A Global Art
20. Danse Claquettes, Steptanz, Sapateado, Tappudansu
21. Where's the Dance?

Rewards Program

Write a Review