Introduction | p. x |
Only got a minute? | p. xii |
Where do I begin? | p. 1 |
What you need | p. 10 |
So what do writers need? | p. 11 |
Do writers need specialist equipment? | p. 17 |
What else does a writer need?18 | |
What do short story writers need? | p. 18 |
The little black dress | p. 21 |
What has a little black dress got to do with writing short stories? | p. 21 |
The little black dress: early examples | p. 22 |
Another way to dress up your little black dress | p. 25 |
More accessories for your little black dress | p. 27 |
Whose story is this? | p. 29 |
Point of view | p. 29 |
Choosing your point of view | p. 33 |
Intensity | p. 43 |
How to achieve intensity | p. 43 |
Some dos and don'ts | p. 45 |
Enjoy | p. 52 |
Warming up | p. 53 |
Reading as a writer | p. 54 |
Which short stories should you read? | p. 57 |
Size matters | p. 62 |
How to write a story of a particular length | p. 63 |
Keeping it short | p. 66 |
Longer short stories | p. 69 |
Finding the plot | p. 73 |
When to plot | p. 74 |
Elements of plotting | p. 75 |
To plan or not to plan? | p. 79 |
Short story structures | p. 82 |
Narrative arc | p. 82 |
Predicament/resolution (but with camouflage) | p. 83 |
Circles | p. 85 |
A journey | p. 85 |
Pictures | p. 86 |
Ripples | p. 87 |
Lists | p. 87 |
The hero's adventure | p. 88 |
The end | p. 89 |
The people in your stories | p. 93 |
One character at a time | p. 94 |
Show, don't tell | p. 95 |
Get physical | p. 96 |
Give your characters things to do | p. 98 |
Use yourself as a character | p. 98 |
Allow for change and development | p. 99 |
Use contradictions and contrasts | p. 100 |
Avoid stereotypes | p. 100 |
Let them talk | p. 101 |
Dialogue | p. 103 |
Direct and indirect speech | p. 103 |
How can you learn more about writing dialogue? | p. 110 |
You can't believe a word they say-the role of unreliable narrators | p. 119 |
What is an unreliable narrator? | p. 120 |
Creating an unreliable narrator | p. 123 |
Creating an unreliable narrator-other approaches | p. 124 |
Documentary stories | p. 127 |
What is a documentary short story? | p. 128 |
Fantasy and the supernatural | p. 135 |
Magical realism | p. 136 |
Other tales of the supernatural: fairy tales and fables | p. 138 |
The horror, the horror | p. 140 |
Ghost stories | p. 141 |
Science fiction and fantasy | p. 142 |
What's the point? | p. 143 |
Research | p. 146 |
Researching what you know | p. 147 |
Researching what you half-know | p. 149 |
Researching what you don't know | p. 151 |
When should you do your research? | p. 152 |
Do not skip this chapter | p. 155 |
Getting it right | p. 157 |
Revisions, revisions | p. 162 |
Publishing your stories | p. 172 |
What does 'being professional'mean? | p. 173 |
Approaching publishers | p. 174 |
Should i send my stories in for competitions? | p. 177 |
What about Internet publishing? | p. 178 |
Self-publishing | p. 179 |
Short stories on the radio | p. 181 |
Public readings | p. 181 |
Why? | p. 183 |
Taking it further | p. 189 |
Books about writing | p. 189 |
Books about getting published | p. 189 |
For reference | p. 189 |
Magazines for writers | p. 190 |
Websites for short story writers | p. 190 |
Index | p. 191 |
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