After the pain : an introduction | p. 1 |
Identity and conceptual limitation in Gayl Jones's The healing : from turtle to human being | p. 11 |
Textual transfigurations and female metamorphosis : reading Gayl Jones's The healing | p. 31 |
From mules to turtle and unicorn women : the gender-folk revolution and the legacy of the Obeah in Gayl Jones's The healing | p. 65 |
Telling the untold tale : Afro-Latino/a identifications in the work of Gayl Jones | p. 91 |
"Reads kinda like jazz in they rhythm" : Gayl Jones's recent jazz conversations | p. 117 |
Interruptions : tradition, borders, and narrative in Gayl Jones's Mosquito | p. 137 |
"Trouble in mind" : (re)visioning myth, sexuality and race in Gayl Jones's Corregidora | p. 155 |
Prison narratives, narrative prisons : incarcerated women reading Gayl Jones's Eva's man | p. 173 |
Unsilencing lesbianism in the early fiction of Gayl Jones | p. 203 |
Things deserving echoes : Gayl Jones's liberating poetry | p. 221 |
Resistance, reappropriation, and reconciliation : the blues and flying Africans in Gayl Jones's Song for Anninho | p. 241 |
Afterword : voicing Gayl Jones | p. 259 |
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