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One of the most neglected of modern American authors and also one of the best loved, NELSON ALGREN (1909–1981) believed that “literature is made upon any occasion that a challenge is put to the legal apparatus by conscience in touch with humanity.” His own voluminous body of work stands up to that belief. Algren’s powerful voice rose from the urban wilderness of postwar Chicago, and it is to that city of hustlers, addicts and scamps that he returned again and again, eventually raising Chicago’s “lower depths” up onto a stage for the whole world to behold. Recipient of the first National Book Award for fiction and lauded by Hemingway as “one of the two best authors in America,” Algren remains among our most defiant and enduring novelists. His work includes five major novels, two short fiction collections, a book-length poem and several collections of reportage. A source of inspiration to artists as diverse as Kurt Vonnegut and Donald Barthelme, Studs Terkel and Lou Reed, Algren died on May 9, 1981, within days of his appointment as a fellow of the American Academy of Arts and Letters.
Who Lost an American? | |
Acknowledgments | p. 10 |
New York: Rapietta Greensponge Girl Counselor, Comes to My Aid | p. 11 |
Down with All Hands: The Cruise of the SS Meyer Davis | p. 33 |
The Banjaxed Land: You Have Your People and I Have Mine | p. 45 |
The South of England: They Walked Like Cats that Circle and Come Back | p. 61 |
Paris: They're Hiding the Ham on the Pinball King or Some Came Stumbling | p. 77 |
Barcelona: The Bright Enormous Morning | p. 101 |
Almeria: Show Me a Gypsy and I'll Show You a Nut | p. 131 |
Seville: The Peseta with the Hole in the Middle | p. 137 |
Crete: There's Lots of Crazy Stuff in the Ocean | p. 153 |
Istanbul: When a Muslim Makes His Violin Cry, Head for the Door | p. 163 |
The Night-Colored Rider | p. 181 |
If You Got the Bread You Walk | p. 201 |
If I Can't Sell It I'll Keep Settin' On It; I Jest Won't Give it Away (Old Song) | p. 211 |
The Irishman in the Grotto, the Man in the Iron Suit, And the Girl in Gravity-Z: The Playboy Magazine Story or Mr. Peepers as Don Juan | p. 229 |
Epilogue: Tricks Out of Times Long Gone | p. 267 |
Notes From a Sea Diary: Hemingway All the Way | |
Acknowledgments | p. 271 |
Prefatory | p. 273 |
June 21, 1962: Two Hours Out of the Port of Seattle | p. 279 |
June 22nd | p. 281 |
June 27th: Lions, Lionesses, Deadbone Crunchers | p. 285 |
June 29th: East China Sea: We Didn't Come to Gamble | p. 295 |
July 1st: 472 Cho-Ryang-Dong: A Parlor Once Purple Now Faded to Rose | p. 299 |
July 4th: East China Sea | p. 309 |
July 6th: South China Sea, Two Days from the Port of Hongkong. Dingding, Hinkletinkle, the Finkified Lasagna and the Man Too Timid to Damn | p. 313 |
July 9th: Concannon Gets the Ship in Trouble or Assy-end Up on Ho-Phang Road | p. 319 |
July 13th: Indian Ocean: "I Can See You Have Been Wounded" | p. 333 |
July 14th: Rafts of a Summer Night | p. 341 |
July 15th: Arabian Sea | p. 349 |
Port of Bombay | |
Into the Gala Day | p. 355 |
July 15th: Port of Bombay II. Kamathipura | p. 369 |
July 17th: Port of Bombay III. Kalyani-of-the-Four-Hundred | p. 377 |
July 22nd: Arabian Sea | p. 385 |
Night in the Gardens of Horn & Hardart | |
Hemingway and Lardner | p. 393 |
Hemingway Himself | p. 397 |
The Real Thing in Kitsch | p. 401 |
July 25th: Bay of Bengal | p. 407 |
The Quais of Calcutta | p. 415 |
Kanani Mansions | p. 431 |
Epilogue: Quais of Calcutta | p. 461 |
About the Author | p. 463 |
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