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Acknowledgments | p. xi |
Introduction | p. 1 |
Poems | p. 16 |
Work Song | p. 16 |
Sculpture Garden | p. 17 |
John Keats | p. 19 |
Light Years | p. 21 |
Ontario | p. 22 |
Document | p. 23 |
Then | p. 24 |
Willow | p. 26 |
Poetics Statement | p. 27 |
Recording Devices: Mark Levine's Poetics of Evidence | p. 29 |
Poems | p. 43 |
I won't go in today | p. 43 |
There comes a time to rusticate the numbers | p. 43 |
I never wish to sing again as I used to | p. 44 |
O verb, o void | p. 44 |
No noise subtracts it | p. 45 |
It could be a bird that says summer | p. 45 |
The first greeting on a bright sift | p. 46 |
Brown is the flat gestation of a maze | p. 46 |
What is this witness, the watching ages | p. 47 |
Grey airs, grey stirs | p. 48 |
Reticulation of a premise | p. 48 |
Bitter seed-scarred semblance-psyche | p. 49 |
The thing you do you keep or claim | p. 49 |
Lifting whither, cycle of the sift | p. 50 |
One might start here | p. 51 |
Poetics Statement | p. 54 |
A Space for Desire and the Mutable Self: Karen Volkman's Experimentations with the Lyric | p. 55 |
Poems | p. 71 |
[Chapt. ex ex ex eye vee: in which scott has a birthday] | p. 71 |
[When you touch down upon this earth, little reindeers] | p. 72 |
[My lover my phlebotomist. his elastic fingers encircle my arm] | p. 72 |
[You'd want to go to the reunion: see] | p. 73 |
[So the theatre dimmed and reclined. cramped balcony rubbed against my leg] | p. 74 |
[Strange flower in my hands. porphyry shell. clipped wool] | p. 76 |
[Listen mother, he punched the air: I am not your son dying] | p. 77 |
[Darling can you kill me: with your mickeymouse pillows] | p. 77 |
[When dementia begins: almost makes sense like hambuger translations] | p. 78 |
[Autumn set us heavily to task: unrooted the dahlias] | p. 78 |
[Between scott's asshole and his mouth I could not say which I preferred: perfect similes] | p. 79 |
[Ode] | p. 80 |
[Who won't praise green. each minute to caress each minute blade of spring. green slice us open] | p. 80 |
Poetics Statement: The Flesh Failures | p. 81 |
Here Is the Door Marked heaven: D. A. Powell | p. 83 |
Poems | p. 97 |
Beginning with a Phrase from Simone Weil | p. 97 |
Revival | p. 98 |
To Be Written in No Other Country | p. 102 |
Plain Song | p. 103 |
Chateau If | p. 105 |
In Defense of Nothing | p. 105 |
Untitled Amherst Specter | p. 106 |
Last Century Thoughts in Snow Tonight | p. 106 |
Poetics Statement: Extract from a Letter to Steve Farmer | p. 107 |
Peter Gizzi's City: The Political Quotidian | p. 108 |
Poem | p. 124 |
Gentle Now, Don't Add to Heartache | p. 124 |
Poetics Statement | p. 131 |
All Together/Now: Writing the Space of Collectivities in the Poetry of Juliana Spahr | p. 133 |
Poems | p. 151 |
Baader Meinhof Three-Person'd God | p. 152 |
At the Atelier Teleology | p. 153 |
Poem (We always send it to the wrong address) | p. 156 |
Chreia | p. 157 |
Whiteread Walk | p. 158 |
Whiteread Walk | p. 159 |
Ceriserie | p. 159 |
Year Zero | p. 161 |
Poetics Statement: Once Against (Into the Poetics of Superinformation) | p. 163 |
The Pleasures of not Merely Circulating: Joshua Clover's Political Imagination | p. 164 |
Poems | p. 180 |
Defacement | p. 180 |
Famous Negro Athletes | p. 182 |
Fish Story | p. 184 |
Nocturne | p. 185 |
Night Cap | p. 186 |
The Hideout | p. 188 |
Poetics Statement | p. 190 |
Mixed-up Medium: Kevin Young's Turn-of-the-Century American Triptych | p. 193 |
Poems | p. 210 |
A little | |
Untitled | |
Poetics Statement: Sound Making Notes | p. 210 |
Improvisational Insurrection: The Sound Poetry of Tracie Morris | p. 215 |
Poems | p. 236 |
From Commons | p. 236 |
From "Lamenta" | p. 236 |
From "Works" | p. 245 |
Poetics Statement: Convolutions: the Precision, the Wild | p. 251 |
Making Common the Commons: Myung Mi Kim's Ideal Subject | p. 252 |
Poems | p. 267 |
From Conference | p. 267 |
From Paramour: "A Month of Valentines" | p. 270 |
From Knot | p. 272 |
Poetics Statement: I Have to Check My e-mail | p. 274 |
The Poetics of Radical Constraint and Unhooked Bedazzlement in the Writing of Stacy Doris | p. 278 |
Poem | p. 290 |
The Debtor in the Convex Mirror | p. 290 |
Poetics Statement | p. 303 |
Susan Wheeler's Open Source Poetics | p. 304 |
Poems | p. 320 |
From $00/Line/Steel/Train | p. 320 |
From Capitalization | p. 324 |
From Hoyt Lakes / Shut Down | p. 329 |
Poetics Statement: Notes toward an Anti-capitalist Poetics II | p. 332 |
Mark Nowak: Radical Documentary Praxis [Redux] | p. 336 |
Poem | p. 353 |
"Page One" from The Day | p. 353 |
Poetics Statement: Being Boring | p. 361 |
Affect and Autism: Kenneth Goldsmith's Reconstitution of Signal and Noise | p. 367 |
Contributors | p. 383 |
Index | p. 389 |
Audio CD Track List | p. 402 |
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The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.