| Foreword | p. ix |
| Introduction | p. 1 |
| The First Word | p. 5 |
| Reading the Play | p. 11 |
| First Reading-Defining the Story | p. 13 |
| Second Reading-Defining the Event | p. 16 |
| Third Reading-Defining the Character | p. 18 |
| Character Interview Worksheet | p. 25 |
| What Do I Want? | p. 29 |
| The Super-objective | p. 31 |
| The Scene Objective | p. 33 |
| What Is In My Way? | p. 39 |
| What Do I Do To Get What I Want? | p. 45 |
| Beats | p. 47 |
| Tactics | p. 48 |
| Pivotal Point | p. 52 |
| Creating The World of the Character | p. 55 |
| The Magic If | p. 57 |
| The Moment Before and the Moment After | p. 59 |
| The Inner Monologue and Subtext | p. 60 |
| Endowment | p. 61 |
| Stage Business and Secondary Activity | p. 63 |
| Secret | p. 64 |
| Into Rehearsal | p. 67 |
| Bringing Choices to Life | p. 69 |
| Tools for Rehearsal | p. 70 |
| Rehearsal Journal | p. 71 |
| Troubleshooting-When Nothing is Working | p. 76 |
| The Final Word | p. 81 |
| Appendix: The Anatomy of a Scene | p. 83 |
| Acknowledgements | p. 95 |
| Notes | p. 97 |
| Bibliography | p. 99 |
| Index | p. 101 |
| Table of Contents provided by Ingram. All Rights Reserved. |
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