| Introduction to the Series | |
| Preface | |
| Introductory Essay: "We May Imagine It": Living with Photographic Reproduction at the End of Our Century | p. 3 |
| The "Ruland/Raphael Collection" | p. 37 |
| Plane Surfaces and Solid Bodies: Reproducing Three-Dimensional Art in the Nineteenth Century | p. 59 |
| The Use of Photography by Nineteenth-Century Art Historians | p. 89 |
| Documents in the History of Visual Documentation | p. 123 |
| Windows to the American Past: Lantern Slides as Historic Evidence | p. 133 |
| Connoisseurship and Photography: The Methodology of Mojmir Frinta | p. 153 |
| A Slide Collection of Constable's Paintings: The Art Historian's Need for Visual Documentation | p. 179 |
| Thoughts of an Art Historian/Photographer on the Relationship of His Two Disciplines | p. 217 |
| Photography as an Aid in Restoration: The Wall Paintings at Horyu-ji | p. 249 |
| Old Photography and the Yuanmingyuan | p. 263 |
| Walter Hege (1893-1955): "Race Art Photographer" and/or "Master of Photography"? | p. 283 |
| Rossetti's Reputation: A Study of the Dissemination of His Art through Photographs | p. 317 |
| Bunched Images Begetting Ideas | p. 349 |
| Contributors | p. 389 |
| Index | p. 393 |
| Table of Contents provided by Blackwell. All Rights Reserved. |






