Authorship and Cultural Identity in Early Greece and China: Patterns of Literary Circulation

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  • Edition: 1st
  • Format: Hardcover
  • Copyright: 2010-01-25
  • Publisher: Cambridge University Press
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In this book, Alexander Beecroft explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of Songs) evolved from being local, oral, and anonymous to being textualized, interpreted, and circulated over increasingly wider areas. Beecroft re-examines representations of authorship as found in poetic biographies such as Lives of Homer and the Zuozhuan, and in the works of other philosophical and historical authors like Plato, Aristotle, Herodotus, Confucius, and Sima Qian. Many of these anecdotes and narratives have long been rejected as spurious or motivated by na´ve biographical criticism. Beecroft argues that these texts effectively negotiated the tensions between local and pan-cultural audiences. The figure of the author thus served as a catalyst to a sense of shared cultural identity in both the Greek and Chinese worlds. It also facilitated the emergence of both cultures as the bases for cosmopolitan world orders.

Table of Contents

Acknowledgmentsp. vii
Introductionp. 1
Explicit Poetics in Greece and China: Points of Divergence and Convergencep. 26
Epic Authorship: The Lives of Homer, Textuality, and Panhellenismp. 61
Lyric Authorship: Poetry, Genre, and the Polisp. 106
Authorship between Epic and Lyric: Stesichorus, the Palinode, and Performancep. 144
Death and Lingerie: Cosmopolitan and Panhuaxia Readings of the Airs of the Statesp. 171
Summit at Fei: The Poetics of Diplomacy in the Zuozhuanp. 205
The Politics of Dancing: The Great King Wu Dance and the Hymns of Zhoup. 240
Conclusion: Scenes of Authorship and Master-Narrativesp. 278
Bibliographyp. 287
Index of Passages Citedp. 309
General Indexp. 315
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