Introduction | p. 6 |
How to get the most out of this book | p. 8 |
The Book | p. 10 |
Perforated z-bind | p. 12 |
Stock | p. 14 |
Detailing | p. 16 |
Book formats | p. 18 |
Types of binding | p. 22 |
Imposition and multiple stocks | p. 24 |
Edition binding | p. 30 |
Slipcases | p. 32 |
Die cut | p. 36 |
Multiple covers | p. 38 |
Book as sculpture | p. 40 |
The Magazine | p. 42 |
Scale | p. 44 |
Accordion fold | p. 46 |
Oversized issues | p. 48 |
Gatefold and throws | p. 48b |
The Poster | p. 48f |
Showthrough | p. 50 |
Poster wraps | p. 52 |
Spot varnish | p. 54 |
Large poster sizes | p. 56 |
Containment | p. 58 |
The Object | p. 60 |
Containers | p. 62 |
Different types of folds | p. 66 |
Concertina | p. 68 |
Print techniques | p. 74 |
Perforation | p. 76 |
Die cut | p. 78 |
Stationery | p. 84 |
Size | p. 90 |
Reveals | p. 92 |
Form follows function | p. 94 |
Protection | p. 96 |
The Screen | p. 98 |
16mm | p. 100 |
Navigation | p. 102 |
Scrolling | p. 104 |
The Brochure | p. 106 |
Covers | p. 108 |
Bellybands | p. 112 |
Throw-ups | p. 114 |
Inserts | p. 116 |
Die cut | p. 118 |
French fold | p. 122 |
Folding | p. 124 |
Order / randomness | p. 128 |
Stocks | p. 130 |
Tip-ins | p. 134 |
Loose-leaf | p. 136 |
Discovery | p. 138 |
Embossing and debossing | p. 140 |
Dual narrative | p. 142 |
Illusion | p. 144 |
Perforation | p. 148 |
Print finishing | p. 150 |
Flock | p. 152 |
Binding | p. 156 |
Flip book | p. 158 |
Glossary | p. 160 |
Conclusion | p. 172 |
Acknowledgements | p. 174 |
Contacts | p. 176 |
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