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9781416521174

Breakfast in the Ruins : Science Fiction in the Last Millennium

by
  • ISBN13:

    9781416521174

  • ISBN10:

    1416521178

  • Format: Paperback
  • Copyright: 2007-04-03
  • Publisher: Baen
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Summary

Barry N. Malzberg reflects back over four decades of writing science fiction, giving an insider¿s view of the field during that time which few can match, both for its authority and for the sharp and witty way he describes the highs and lows of one science fiction writer¿s career. He also writes vivid profiles of writers and editors, ranging from the titans who transformed the field, such as John W. Campbell, to once popular writers who are now all but forgotten, such as Hugo Award-winner Mark Clifton. ¿If there is any particular cachet to my perspective,¿ he writes, ¿it comes because my career is, perhaps more than some, metaphoric.¿ The original, shorter version of the book was widely praised, as by theSan Francisco Chronicle: ¿Contains literary criticism ranging over the whole history of the field. . . . this is a mordant, brilliant book,¿ and byThe Washington Post Book World:¿Malzberg makes persuasively clear that the best of science fiction should be valued as literature and nothing else.¿Breakfast in the Ruinsis an indispensable book for every science fiction reader.

Table of Contents

The number of the beastp. 14
L'Etat c'est moip. 18
I could have been a contender, part onep. 23
Anonymity & empirep. 26
I don't know how to put it love but I'll surely surely tryp. 31
Memoir from Grub Streetp. 37
The fiftiesp. 40
The fifties : recapitulation and codap. 52
Ah tempora! ah portions! ah mores! ah outlines!p. 56
Science fiction and the academy : some notesp. 59
At the divining edgep. 63
Some notes toward the true and the terriblep. 67
Wrong rabbitp. 71
John W. Campbell : June 8, 1910 to July 11, 1971p. 75
The science fiction of science fictionp. 80
I don't want her you can have herp. 87
Onward and upward with the arts, part IIp. 91
Tell me Doctor if you can that it's not all happening againp. 94
The Richard Nixon John B. Mitchell Spiro Agnew Bluesp. 103
Cornell George Holey Woolrich : December 1903 to September 1968p. 106
A few hard truths for the troopsp. 111
Onward and upward with the arts, part IIIp. 114
Science fiction as Picassop. 119
Mark Clifton : 1906-1963p. 121
September 1973 : what I did last summerp. 126
The cutting edgep. 130
Son of the true and terriblep. 136
The all-time, prime-time, take-me-to-your-leader science fiction plotp. 140
Grandson of the true and the terriblep. 151
Give me that old-time religionp. 154
SF foreverp. 156
What I won't do next summer, I guessp. 158
Come fool, follifyp. 161
The engines of the nightp. 164
Con Sordinop. 167
Corridorsp. 171
L'Envoip. 186
Son of L'envoip. 186
Grandson of l'envoip. 187
Footnotesp. 188
Interregunum : preface to an essayp. 193
Interregnum : rage, pain, alienation and other aspects of the writing of science fictionp. 195
Afterwordp. 200
On engines againp. 210
Atomic powerp. 216
Tripping with the alchemistp. 219
Some reflections on Freud, fantasy & the Jewish conditionp. 244
I : not Ip. 251
On decadencep. 255
Cliftonizedp. 261
Over the wavesp. 267
Thus our words unspokenp. 274
A formal feeling comesp. 281
Thinking about Compulsionp. 288
The shores of suitabilityp. 293
Some notes on the lone wolfp. 296
Flowers for Daniel (Daniel Keyes)p. 305
Falling from the air (Alice Sheldon)p. 308
Dark of the knight (Damon Knight)p. 313
On Fredric Brownp. 318
The stochastic writer (Robert Silverberg)p. 321
The dean of Gloucester, Virginia (William F. Jenkins)p. 326
Inextricable disengagement (David Drake)p. 329
On Isaac Asimovp. 331
The bend at the end of the road (Gustav Hasford)p. 337
The cloud sculptor of terminal X (J. G. Ballard)p. 342
Presto : Con Malizia (Cornell Woolrich)p. 351
Repentance, desire and Natalie Wood (Maurice Girodias)p. 355
The man who lost the sea (John W. Campbell)p. 363
Ruthven agonistesp. 377
The passage of the lightp. 379
Afterword : the last millenniump. 389
Table of Contents provided by Blackwell. All Rights Reserved.

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