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9780130453068

Bridging English

by ;
  • ISBN13:

    9780130453068

  • ISBN10:

    0130453064

  • Edition: 3rd
  • Format: Paperback
  • Copyright: 2008-01-01
  • Publisher: Prentice Hall
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Summary

The third edition of this popular book again takes a balanced, comprehensive approach to teaching English-one that creates a bridge between theory/background and practices that reflect today's diverse, challenging high school classrooms. This book has been praised for its unique components: discussion of ";four stages"; of reading texts and ";three phases"; of teaching texts. The authors' many years of experience teaching English are obvious throughout the material, but nowhere more so than in their straightforward presentation of organization and planning for instruction and their firm stand on teaching grammar. This book covers the challenging and the controversial in English instruction and explores censorship, national standards, high-stakes testing, multi-lingual students, and multicultural literature. For professionals in the field of teaching.

Table of Contents

Envisioning English
1(13)
Initial Definitions
2(1)
A Brief History
2(2)
Core Beliefs
4(7)
Bridging English
6(1)
Importance of Core Beliefs
7(1)
Traditional Principles of Learning
7(1)
Alternative Beliefs About Learning, Learners, and Teaching
8(2)
Student-Centered Mnemonics
10(1)
Individual Decisions
11(1)
Conclusion
11(2)
Organizing Instruction
13(33)
Lecture
14(3)
Four Types of Lecture
14(1)
Four Rhetorical Strategies
15(1)
Lecture's Critics
16(1)
Lecture's Best Exemplars
16(1)
Whole-Class Discussion
17(9)
Dimensions of Whole-Class Discussion
18(1)
Reform of Discussion
19(3)
Questions
22(3)
Responses
25(1)
Group Work
26(7)
Collaborative Learning
26(1)
Practical Decisions About Groupwork
27(3)
Literature Circles
30(2)
A Final Pitch for Groupwork
32(1)
Individual Work
33(2)
Independent Study
33(1)
Workshop/Conference
34(1)
Individualized Instruction
34(1)
Layering the Four Approaches
35(3)
Learning Stations
35(3)
Learning With Technology
38(7)
Technology in U.S. Schools
40(2)
Three Types of Technology Tools
42(2)
National Technology Standards for Teachers and Students
44(1)
Shaping Instruction
45(1)
Conclusion
45(1)
Centering on Language
46(28)
Awakening and Broadening Language Consciousness
47(7)
Language Inquiry in the Classroom
48(2)
Doublespeak
50(4)
The Story of the English Language
54(1)
American English: 1620-Present
55(1)
Our Mother Tongue
55(1)
The Study of Language: Linguistics
55(2)
Descriptive versus Prescriptive Grammar
56(1)
Issues of Right and Wrong
56(1)
Correct English
57(1)
The Instructional Debate
57(8)
The Linguistic Debate: Change versus Stability
58(2)
The Political Debate: Cultural Diversity
60(3)
The Psychological or Biological Debate: Language Acquisition
63(1)
The Practical Debate: Research and Experience in Grammar Instruction
64(1)
Language Instruction
65(8)
Definitions of Grammar
66(4)
Contextualized Grammar
70(1)
Critical Grammar
71(1)
Benchmarks for Evaluating Language Instruction
72(1)
Conclusion
73(1)
Developing an Oral Foundation
74(24)
Classroom Talking and Listening
75(3)
The Relationship of Talking, Thinking, Writing, and Learning
77(1)
Oral Language Exercises
78(6)
Activities: Individual to Group, Control to Release
79(5)
Creative Drama
84(8)
Content Goals
86(1)
Personal Growth Goals
86(1)
Rules of the Game
87(1)
Resources
87(1)
Creative Drama: Fixed to Free
88(4)
Story Drama
92(2)
Response and Critique
94(1)
Step 1: Affirmation
94(1)
Step 2: Artist as Questioner
94(1)
Step 3: Responders as Questioners
94(1)
Step 4: Opinion Time
94(1)
Steps 5 and 6: Subject Matter Discussion and Working on the Work
94(1)
Interviewing
95(2)
Value Chat
95(1)
Partner Probe
95(1)
Expert Query
95(1)
Retrospective Talk
96(1)
Conclusion
97(1)
Responding to Literature
98(52)
Why Read Literature?
98(3)
The Death of Literature
99(1)
The Life of Literature
99(1)
Goals and Methods for Teaching Literature
100(1)
Three Phases of the Teaching Cycle
101(3)
Enter
101(1)
Explore
102(1)
Extend
103(1)
Four Stages of Reading Literature
104(2)
Reader Response
105(1)
Interpretive Community
105(1)
Formal Analysis
105(1)
Critical Synthesis
105(1)
Instructional Strategies/Teaching Activities
106(1)
Reader Response
106(14)
Personal Triggers
107(1)
Suppositional Readers
108(1)
Conceptual Readiness
108(1)
Synergistic Texts
109(1)
Associative Recollections
110(1)
Co-Creative Authors
111(2)
Imagine This
113(1)
Polar Appraisals
113(1)
Character Continuum
113(1)
Character Maps
114(1)
Focal Judgments
115(1)
Opinion Survey
116(1)
Verbal Scales
117(1)
Interrogative Reading
117(1)
Jump Starts
118(4)
The Testing
119(1)
Interpretive Community
120(8)
At the Point of Utterance
121(1)
Proximate Reading
121(1)
Communal Judgments
122(1)
Defining Vignetters
122(2)
Readers' Theater
124(1)
Assaying Characters: Questions and Checklists
124(1)
Psychological Profiles
125(1)
Venn Diagramming
126(2)
Formal Analysis
128(10)
Basic Principles of Formal Analysis in the Classroom
128(2)
Formal Discussion Questions
130(2)
Literacy Rules to Notice
132(2)
Intertextuality
134(1)
Students Write
134(1)
Authors Speak
135(3)
Critical Synthesis
138(9)
Early Critics and Eleven Critical Approaches to Literature
138(9)
Classroom Strategies
147(2)
A Plea for Pluralism
148(1)
Conclusion
149(1)
Celebrating Poetry
150(39)
Finding Poetry
151(8)
Nonliterary Prose
152(2)
Music
154(2)
Advertising
156(1)
Bumper Stickers
157(1)
Unexpected Places
158(1)
Forging Poetry
159(12)
Templates
161(3)
Fixed Forms
164(3)
Open Forms
167(3)
Wild Cards
170(1)
Reading Poetry
171(9)
Definition
172(1)
Choice
172(1)
Personal Response
173(2)
Enactment
175(3)
Visualization
178(1)
Synthesis
179(1)
Talking Poetry
180(5)
Adolescent Readers
180(2)
Selecting Poems
182(1)
Listening to Poems
182(1)
Discussing Poems: Setting, Approaches, Questions, Sequences
183(1)
Poets Talk
184(1)
Placing Poetry
185(3)
Conclusion
188(1)
Opening Texts
189(43)
The Classics
189(4)
Historical Roots of the High School Canon
190(1)
Texts in the High School Canon
190(3)
The Canon Wars
193(2)
Cultural Literacy
193(1)
Teaching the Tradition
194(1)
Renewing the Canon
194(1)
Five Challenges to the Canon
195(17)
Critical Literacy Challenge
195(1)
Deconstructionist Challenge
196(1)
Reader Response Challenge
197(1)
Genre Challenge: Young Adult Fiction
198(6)
Multicultural Challenge
204(8)
Classroom Challenges in Teaching Noncanonical and Canonical Texts
212(16)
Multicultural Literature in the Classroom
212(7)
Expanding the Teaching of Literature
219(9)
Censorship
228(2)
Community Standards and School Policies
228(1)
Allies
229(1)
Conclusion
230(2)
Understanding Drama
232(11)
Transformating Texts
233(1)
Ready-Made Plays
233(1)
Student-Created Drama
233(1)
Engaging Drama
234(6)
Plot
234(2)
Character
236(3)
Theme
239(1)
Form
240(1)
Teaching Shakespeare
240(2)
Performing Shakespeare
240(1)
Seven Shakespearean Activities
241(1)
Conclusion
242(1)
Assaying Nonfiction
243(21)
Why Teach Nonfiction?
244(2)
Nonfiction Genres in the Classroom
246(16)
Essays
246(3)
Biographies
249(3)
Autobiographies and Memoirs
252(3)
Testimonials
255(1)
Diaries and Journals
256(1)
Letters
257(1)
Miscellaneous Nonfiction Books
257(5)
Newspapers
262(1)
Nonfiction in the Fiction Classroom
262(1)
Conclusion
262(2)
Making Media Matter
264(23)
Enact: Students as Producers
266(4)
Juxtaworlds
266(1)
Madison Avenue
267(1)
Rock Review
268(1)
Piggyback Pop
268(1)
Jacketeering
268(1)
Rock Market
268(1)
Anchor People
268(1)
Radio Head
268(1)
Crisis Interview
269(1)
Pilot Making
269(1)
Class Magazine
269(1)
Classy Comics
270(1)
Bumper Stickers
270(1)
Entertain: Students as Listeners and Viewers
270(8)
Using Film
271(2)
Using Music
273(1)
Using Paintings, Prints, and Photographs
274(1)
Using Comics
275(1)
Developing Film Literacy
276(1)
Locating Materials
277(1)
Examine: Students as Anthropologists and Literary Critics
278(6)
Examining the News
280(1)
Examining Advertising
281(1)
Scrubbing the Soaps
282(1)
Analyzing Magazines
282(1)
Examining Public Service Announcements
283(1)
Analyzing Viewing Styles
283(1)
Expose: Students as Social Critics
284(2)
Do the Media Corrupt Cultural Morality or Mirror It?
284(1)
Do the Media Falsify Expectations of Life or Create a Sense of Possibility?
285(1)
Do the Media Reinforce Passivity or Promote Action?
285(1)
Do the Media Undermine Critical Reasoning Capacity or Promote Thoughtful Reflection?
285(1)
Do the Media Promote Consumerism or a Consumer Protection Mindset?
286(1)
Conclusion
286(1)
Inspiring Writing
287(28)
Five Interlocking Writing Constructs
288(2)
Developmental Tasks
290(5)
Developmental Sequence
290(5)
Process Model
295(4)
Basic Assumptions
295(2)
The Teacher's Role
297(2)
Writing Workshops
299(5)
Writing Workshop Principles
299(1)
Writing Workshop Proper
299(1)
Work of the Writing Workshop
300(3)
Physical Arrangement and Workshop Rules
303(1)
Research on Writing
303(1)
Portfolio Work
304(3)
Variety of Contents
305(1)
Works in Progress
305(1)
Student Responsibility
306(1)
Accomplishments
307(1)
Authentic Assessment
307(7)
Writing Tasks Assessed, Writing Tasks Taught
307(1)
State-Initiated, Performance-Based Assessment
308(3)
Tied to Daily Instruction
311(1)
Constructing Rubrics
311(2)
Rubrics and the Paper Load
313(1)
Conclusion
314(1)
Enabling Writing
315(38)
Four Basic Needs
316(1)
Substance
316(1)
Skills
316(1)
Structure
316(1)
Style
316(1)
Mediated Instruction
317(1)
Middle Ground
317(1)
Hillocks's Lesson
318(1)
Another Middle Way
318(1)
Collaborative Writing
318(3)
Cognitive Conflict
320(1)
Verbalization
320(1)
Benefits of Collaboration
320(1)
Environmental Journalism
321(2)
Foxfire's Lessons
321(1)
Interviewing
322(1)
Contemporary Excavations
323(1)
Right Writing
323(3)
Rico Clusters
323(1)
Other Paths
324(1)
Right-Left Continuum
325(1)
Journal Writing
326(3)
Write to Learn
329(1)
Math and Science
329(1)
Difficult Problems
330(1)
Code Switching
330(3)
Program Requirements
331(1)
Switching Principles
331(1)
Program Outline
332(1)
Sentence Combining
333(2)
Strong Kernels
333(1)
Other Sources
334(1)
Vocabulary Growth
335(2)
Acquisition
335(1)
Morphology
336(1)
Immersion
336(1)
Semantics
337(1)
Student Research Papers
337(3)
Controlled Sources Research
338(1)
Textual Analysis
338(1)
Historical Synthesis
338(1)
Contemporary Issues Research
338(1)
Scholarly Research
338(1)
Fabulous Analysis
339(1)
Elemental Variation
340(2)
Topology Procedures
340(1)
Evaluation
341(1)
Lit. Write
342(1)
Dependent Authors
343(1)
Roles Around
343(1)
Other Dependencies
344(1)
Apprentice Writing
344(4)
Copying (Duplicating Exact Tests)
345(1)
Paraphrasing (Translating Passages)
345(1)
Modeling (Employing a Template)
346(1)
Imitating (Mimicking the Masters)
347(1)
Practical Stylist
348(1)
Three Style Books
348(1)
Others
348(1)
Summary of Research About Writing
349(1)
Conclusion
350(3)
Evaluating Learning
353(45)
Standardized Tests
354(2)
District- and State-Mandated Tests
354(1)
Standardized Achievement Tests
355(1)
Grading and Evaluation
356(6)
Definition of Terms
358(1)
Purposes of Evaluation
358(1)
Learning Possibilities to Be Measured
359(3)
Alternative Methods of Evaluation
362(8)
Self-Evaluation
362(3)
Portfolios
365(2)
Contracts
367(1)
Observation
367(3)
Evaluating Knowledge and Response to Literature
370(8)
Selected-Response (Objective)
371(2)
Constructed-Response (Subjective)
373(5)
Evaluating Writing
378(11)
Outside the Classroom
378(1)
Inside the Classroom
378(11)
Evaluating Oracy
389(1)
Alternative Grading Choices
390(4)
Quantitative-Qualitative
391(1)
Aware-Blind
391(1)
Absolute-Relative
391(1)
Objective-Subjective
391(1)
Incidental-Cumulative
392(1)
Holistic-Partial
392(1)
Independent-Individual
392(1)
Bound-Open
393(1)
Formative-Summative
393(1)
Cooperative-Competitive
393(1)
Critique of Traditional Grading
394(2)
Pedagogical Dangers
394(1)
Psychometric Dangers
394(1)
Personal Dangers
395(1)
Cultural Dangers
395(1)
Moral Dangers
395(1)
Unique Difficulties for English Teachers
396(1)
Conclusion
396(2)
Planning the Lesson
398(26)
Lesson Planning
399(10)
Creative-Process Model
400(2)
Conversation-Based Model
402(3)
Objectives-Based Model
405(2)
Content-Based Model
407(2)
Unit Planning
409(6)
Focused or Integrated Units
410(1)
Topic Selection and Quality Control
410(1)
Steps of Unit Development
411(1)
Planning as a Recursive Process
412(3)
Weekly Planning
415(1)
Curriculum Planning
415(1)
Variables in Any Planning
416(2)
Students
416(1)
Individualization Interaction, and Integration
416(1)
Four Modes of Classroom Organization
417(1)
Sequence, Variety, and Flexibility
417(1)
A Common Danger
418(1)
Writing Out the Lesson
418(1)
Planning with Discipline and Inspiration
418(1)
Constant Classroom Structures and Concerns
418(5)
Routines and Emergencies
419(1)
Motivation
419(1)
Classroom Management
419(1)
Assignments
420(1)
Block Scheduling
420(1)
Paper Load
421(1)
Advice from Experienced Teachers
422(1)
Learning from Mistakes
422(1)
Conclusion
423(1)
Becoming a Complete Teacher
424(58)
Defining Yourself as a Teacher
424(2)
Defining Yourself in a Professional Context
426(3)
School Critics
427(1)
Defining Yourself for Schools
428(1)
Building Public Trust
429(2)
Include
429(1)
Inform
429(1)
Involve
430(1)
Promoting Professional Growth
431(6)
Goal Setting
431(1)
Self-Evaluation
432(1)
Peer Review
432(1)
External Assessment
433(2)
Action Research
435(1)
Guild Building
436(1)
Association Membership
436(1)
Professional Leadership
437(1)
Conclusion
437(2)
Appendix A
Possible Literature Lessons on Shakespeares Sonnet
439(1)
Appendix B
Meiers' Independent Project for English: Collecting and Writing a Personal Anthology
440(1)
Ten Textual Learning Stations: Mark Twain's The Adventures of Huckleberry Finn
440(2)
Four Topical Learning Stations: Utopia
442(1)
Davis' Learning Centers: Family
443(1)
Mapping Your Way to Understanding: Mythology
443(1)
Ten Steps to Mythology Mapping
444(1)
Appendix C
Overview of Old, Middle, and Modern English
445(1)
Grammar in a Nutshell
445(3)
Four Areas of Linguistic Study
448(1)
Timeline of Methods of Linguistic Analysis
448(1)
Appendix D
Web Sites for Classic and Contemporary Short Stories
449(1)
Erikson's Stages of Psychosocial Development
449(1)
Kohlberg's Stages of Moral Development
450(1)
Loevinger's Stages of Ego Development
450(1)
Rabinowitz's Rules of Notice
450(2)
Appendix E
U. S. Poet Laureates, 1937-2001
452(1)
Becky Brown's Favorite Poems for Student Responses
452(3)
Brown's Poetry Response Assignment, 1991-1992
455(1)
Brown's Explanation of Her Poetry Assignment's Evolution
455(1)
Brown's Poetry Response Assignment, 2001-2002
456(1)
Books on Poetry and Poetry Teaching
456(1)
Appendix F
Works Listed on AP English Literature Open-Ended Questions, 1981-2001
457(2)
Authors Listed on AP English Literature Exam 1993-2001
459(1)
Reader Response Resources
460(1)
Fiction by Women
461(1)
African American Writers
462(2)
Native American Writers
464(1)
Hispanic Writers
464(1)
Asian American Writers
465(1)
Benedict's Recommendations: Young Adult Fiction
465(2)
Benedict's Recommendations: Modern Interpretations and Retellings
467(1)
Works on Censorship
467(2)
Appendix G
Smith's Guide for Making Movies in the Classroom
469(1)
Media Sources
469(1)
Multiple Film Versions of Hamlet and Jane Eyre
470(1)
Teasley and Wilder's 100 Great Films for Adolescents: Annotated Filmography
470(2)
Appendix H
Recommended Writing Textbooks
472(1)
Appendix I
Sat Essay Exam Assessment: Diederich Scale
473(1)
Oral Communications Activities Log
474(1)
Two Communication Inventories
474(1)
Evaluation Form for Group Discussion
475(1)
Explanation of Ratings Used for the Evaluation Form for Group Discussion
475(1)
Teachers Evaluation of Announcements
476(1)
Appendix J
Developing a Unit: William Shakespeare
477(1)
Four Perspectives on Language Learning
478(2)
Appendix K
NCTE Organizations and Periodicals for the English Teacher
480(1)
Educational Periodicals Recommended for English Teachers
480(2)
References 482(21)
Index 503

Supplemental Materials

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The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

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Excerpts

We wrote the first edition ofBridging English(1993) because we could not find a balanced, comprehensive English methods textbook whose theory was rigorous and whose practice was accessible and pertinent. We revised the first edition (1999) to strengthen its comprehensiveness, theoretical soundness, and practical usefulness. Reviewers and users report that both texts effectively moved readers from theories of learning, language, and literacy to classroom realities in today's schools. One colleague and his class call our textBEbecause, as he explains, it captures what his students need to know and be in order to confidently enter secondary English classrooms and actively engage the students waiting there. Its readers appear also drawn to its student-centered, constructivist, developmental, inquiry based, and reflective perspective. Many colleagues report that this is one textbook their students do not sell back because they regard it not simply as a general introduction to English education, but as a reference and resource with which to begin their professional libraries. Many teachers tell us that it occupies an honored spot on their desks always ready for use. We have revised the second edition of our text, as we did the first, for two primary reasons: 1) to address new developments in the field of English education, and 2) to clarify, expand, and vivify many of our original ideas. In this thorough revision, we have tried to retain and strengthen what has proven most valuable while we demonstrate and animate both the old and new ideas and methods. In clearer, crisper prose, each of its now fifteen chapters presents conceptual frameworks, a multitude of tested teaching activities, and invitations to the reader to reflect on both. STRENGTHS OF THE FIRST AND SECOND EDITIONS In the first two editions ofBridging English,we attempted to bridge many different shores: of self (as the reader prepares to move from the role of student to that of teacher), of instructional theories, of methods, of texts, of cultural expectations of English classrooms. With a consciousness of the quandaries of prospective teachers, we challenged readers to make personal connections between their previous experiences as students and their future expectations as teachers. Two textual features particularly--Invitations to Reflection and Teaching Activities--engaged readers and invited them to reflect, to test, and to plan. Readers tell us that the texts' breadth and balance "brought it all together"-an understanding and grasp of literature, language, and learning. We have retained many of the valued aspects of the first two editions such as: the interplay of learning, language, and literary theory with best teaching practice the numerous sequences of instruction, teaching activities, and concrete examples of teachable texts that range from literary classics to works by minority and young adult writers, from print to non-print a balanced view of the debated pedagogical issues in the English Education field: grammar and writing instruction, cooperative learning, reader response based approaches to literature, multicultural literature, technology in the classroom, authentic assessment, and critical and cultural literacy the treatment of numerous vital, but sometimes overlooked subjects such as the history of the English language, ten schools of literary criticism, the canon wars' debate, oral language, poetry, nonfiction, media, and evaluation an authorial voice that filters and interprets its information and ideas through decades of teaching at the secondary and college levels CHANGES IN THE THIRD EDITION Like its predecessors, the third edition ofBridging Englishgrows from our ongoing experience, observations, and reflections on English classrooms. It represents our course notes passed on to our younger colleagues. We feel again a

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