| Chapters | |
| Catherine of Russia | p. 11 |
| Philosopher-Empress | p. 21 |
| Minerva of the North | p. 41 |
| Enlightened Patroness | p. 63 |
| Lover of Antiquity | p. 89 |
| Benefactress of the Arts and Manufactories | p. 109 |
| Essays | |
| Catherine the Great | p. 139 |
| "They Liked me at the First Glance" Painted Portraits of Catherine II | p. 149 |
| Quaerebat Minervam Sculptor, Catharina Invenit Catherine the Great in Sculpture | p. 157 |
| "Gluttony" in the Fine Arts: Did Catherine II Have Taste? | p. 169 |
| The Empress, the Philosophes, and the Fine Arts | p. 179 |
| The Art of Governing the Arts: The Roman Patronage of Catherine the Great | p. 183 |
| Catherine II's Taste for Classicism | p. 193 |
| Imaginary Travels to Italy | p. 201 |
| The Saint Petersburg Academy of Arts: The Cradle of Russian Classicism | p. 209 |
| The "Hermitages" of Catherine the Great | p. 217 |
| The Empress's Paintings. Old and Modern Masters | p. 225 |
| Vigee Le Brun at the Court of the Romanovs | p. 231 |
| Catherine II and European Decorative Arts | p. 239 |
| Catherine's Porcelain and the Triumph of the "Russian Minerva" | p. 245 |
| The Saint Petersburg Imperial Tapestry Factory | p. 251 |
| The Tula Armourers | p. 255 |
| Bronze Art in the Age of Catherine II | p. 260 |
| Russian Lapidary Factories | p. 262 |
| Potemkin and the Imperial Glassworks | p. 264 |
| Appendices | |
| Catalogue of exhibited works | p. 266 |
| Exhibitions and catalogues cited | p. 309 |
| Publications and articles cited | p. 312 |
| Timeline | p. 319 |
| Order of imperial succession | p. 325 |
| Photo credits and copyrights | p. 326 |
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