Cinema The Archaeology of Film and the Memory of A Century

by Godard, Jean-Luc; Ishaghpour, Youssef; Howe, John

• ISBN13: 9781845201975
• ISBN10: 1845201973
• Format: Paperback
• Copyright: 2005-06-11
• Publisher: Berg Pub Ltd

Summary

Cinema is quite simply a unique book from one of the most influential film-makers in the history of cinema. Here, Jean-Luc Godard looks back on a century of film as well as his own work and career in the industry. Born with the twentieth century, cinema became not just the century's dominant art form but its best historian. Godard argues that - after the century of Chaplin and Pol Pot, Monroe and Hitler, Stalin and Mae West, Mao and the Marx Brothers - film and history are inextricably intertwined. Against this backdrop, Godard presents his thoughts on film theory, cinematic technique, film histories, as well as the recent video revolution. As the conversation develops, Godard expounds on his central concerns - how film can 'resurrect the past', the role of rhythm in film, and how cinema can be an 'art that thinks'. Cinema: the archaeology of film and the memory of a century is a dialogue between Godard and the celebrated cinphile Youssef Ishaghpour. Here Godard comes closest to defining a lifetime's obsession with cinema and cinema's lifelong obsession with history.

Author Biography

Jean-Luc Godard, one of the founding fathers of the French New Wave, has been an influential force in film since his first feature-length film, A Bout de Souffle (Breathless). Today, his influence extends across such key contemporary film-makers as Robert Altman, Martin Scorsese, Jim Jarmusch, Wim Wenders, Steven Soderbergh and Quentin Tarantino.

Youssef Ishaghpour is Professor at University Rene Descartes, Paris V. His writings on cinema, painting, philosophy and literature have been widely translated.

Table of Contents

Foreword	vii
Acknowledgments	xv
Part I Interview
Cinema	3	(4)
Constellation and Classification	7	(8)
Angle and Montage	15	(4)
The Urgency of the Present/The Redemption of the Past	19	(4)
History and Re-memorization	23	(8)
How Video Made the History of Cinema Possible	31	(10)
Only Cinema Can Narrate its Own History: Quotation and Montage	41	(4)
Histoire(s) du cinema: Films and Books	45	(8)
History and Archeology	53	(6)
The History of Love, of the Eye, and of the Gaze	59	(4)
Hitchcock and the Power of Cinema	63	(4)
The Loss of the Magic of Cinema and the Nouvelle Vague	67	(6)
Before and After Auschwitz	73	(8)
What Can Cinema Do?	81	(6)
Only Cinema Narrates Large-scale History by Narrating its Own History	87	(10)
In Cinema as in Christianity: Image and Resurrection	97	(8)
Image and Montage	105	(6)
Towards the Stars	111
Part II Jean-Luc Godard, Cineaste of Modern Life: The Poetic in the Historical