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Acknowledgements | p. vii |
Preface | p. ix |
Documenting the Unrepresented World | p. 1 |
Film-Essays: Kieslowski and Polish Cinema in the 1970s and During the Solidarity Period | p. 24 |
Pedestrian Subway: A Short Film About Marriage | p. 29 |
Personnel: Art and Politics | p. 29 |
The Scar: Managers and Their Dilemmas | p. 34 |
The Calm: Life as It Is | p. 38 |
Camera Buff: Meditations on Film-making | p. 42 |
Short Working Day: Mechanisms of Power | p. 49 |
Choices, Chances and Politics | p. 53 |
Blind Chance: Variations on Fate | p. 55 |
No End: Requiem for Solidarity | p. 64 |
Entomological Observations and Metaphysics in Decalogue | p. 75 |
The Double Life of Kieslowski: European Art Film and the Polish Context | p. 108 |
The Double Life of Veronique: Doppelgangers and Puppeteers | p. 114 |
The Three Colours Trilogy: The Long Films About Love | p. 122 |
Afterword | p. 149 |
Notes | p. 153 |
Filmography | p. 166 |
Bibliography | p. 179 |
Index | p. 185 |
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