| List of Illustrations | |
| Acknowledgments | |
| Introduction | |
| A Thematic and Intertextual Approach | |
| An American in Paris: Painting as Psychic Upheaval | |
| Red Desert: Painting as Ventriloquism and Color as Movement- | |
| The Marquise of O: Painting Thoughts, Listening to Images- | |
| Jean-Luc Godard's Pierrot le Fou: Cinema as Collage against Painting- | |
| Andrei Tarkovsky's Andrei Rublev: Cinema as the Restoration of Icon Painting- | |
| Romantic Painting as Horror and Desire in Expressionist Cinema- | |
| Five Women around Utamaro: Film between Woodblock Printing and Tattooing- | |
| Still Life and the Close-Up as Feminine Space | |
| Notes | |
| Bibliography | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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