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Introduction | |
Acknowledgements | |
List of Contributors | |
Abbreviations | |
Contexts and Perspectives 1790-1830 | |
Romanticism: The Brief History of a Concept | |
Preromanticism | |
From Revolution to Romanticism: The Historical Context from 1800 | |
Beyond the Enlightenment: the Philosophical, Scientific, and Religious Inheritance | |
Britain at War: The Historical Context | |
Literature and Religion | |
The Picturesque, the Beautiful, and the Sublime | |
The Romantic Reader | |
Readings | |
William Blake, Songs of Innocence and of Experience | |
Edmund Burke, Reflections Upon the Revolution in France | |
Charlotte Smith, The Old Manor House | |
Samuel Taylor Coleridge, The Ancient Mariner, Kubla Khan, and Christabel | |
Wordsworth and Coleridge, Lyrical Ballads | |
Dorothy Wordsworth, Journals | |
Joanna Baillie, A Series of Plays | |
William Wordsworth, The Prelude | |
Poetry of the Anti-Jacobin | |
Mary Tighe, Psyche | |
Charlotte Smith, Beachy Head | |
Walter Scott, Waverley | |
Jane Austen, Pride and Prejudice | |
Mary Shelley, Frankenstein | |
John Keats, Odes | |
George Gordon, Lord Byron, Don Juan | |
Percy Bysshe Shelley, Prometheus Unbound: Michael O'Neill | |
Thomas De Quincey, Confessions of an English Opium-Eater | |
Charles Lamb, Elia | |
William Hazlitt, Spirit of the Age | |
Letitia Landon (L. E. L.), The Improvisatrice | |
John Clare, The Shepherd's Calendar | |
Felicia Hemans, Records of Woman | |
Genres and Modes | |
The Romantic Drama | |
The Novel | |
Gothic Fiction | |
Parody and Imitation | |
Travel Writing | |
Romantic Literary Criticism | |
Issues and Debates | |
Romanticism and Gender | |
Romanticism and Feminism | |
New Historicism | |
Romantic Ecology | |
Psychological Approaches | |
Dialogic Approaches | |
The Romantic Fragme | |
Table of Contents provided by Publisher. All Rights Reserved. |
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