Introduction | p. 1 |
Is This the Right Book for You? | p. 3 |
How This Book Is Organized | p. 3 |
What Counts as Digital Photography | p. 6 |
The Best-Laid Plans | p. 6 |
What Software Do You Need? | p. 6 |
Digital 101: A Few Basic Ideas | p. 7 |
How a Digital Camera Works | p. 11 |
Something Old, Something New | p. 12 |
A Little Color Theory | p. 13 |
How An Image Sensor Works | p. 15 |
How Your Camera Makes an Image | p. 22 |
How JPEG Compression Works | p. 26 |
Meanwhile, Back in the Real World | p. 27 |
Basic Photography: A Quick Primer | p. 29 |
Lenses | p. 30 |
Exposures: Apertures, Shutter Speeds, and ISO | p. 33 |
Mostly the Same | p. 39 |
Evaluating an Image | p. 41 |
How Things Look On-Screen Doesn't Always Matter | p. 42 |
The Top Nine Imaging Problems You're Likely to Encounter | p. 43 |
Good or Bad, Who Can Tell Why? | p. 53 |
Choosing a Digital Camera | p. 55 |
Budget | p. 57 |
Point-and-Shoot or SLR | p. 57 |
Resolution | p. 61 |
Point-and-Shoot Lens Specifications | p. 68 |
Basic Controls | p. 70 |
Camera Design | p. 78 |
Features | p. 91 |
What's in the Box? | p. 119 |
Special Features | p. 121 |
Accessories | p. 124 |
What Should I Buy? | p. 131 |
Building a Workstation | p. 133 |
Choosing an Operating System | p. 134 |
Building Your System | p. 135 |
Software | p. 141 |
Accessories | p. 153 |
Preparing Your Monitor | p. 154 |
Ready! Aim! | p. 158 |
Shooting | p. 159 |
Seeing, Interpreting, and Composing an Image | p. 160 |
Five Practices for Better Shooting | p. 175 |
Initial Camera Settings | p. 183 |
Building a Shot | p. 186 |
Simple Flash Photography | p. 212 |
Power and Storage Management | p. 219 |
And That's Just the Beginning! | p. 223 |
Metering and Exposure | p. 225 |
What You Can Do with Exposure Adjustments | p. 226 |
How to Adjust Exposure | p. 236 |
In-Camera Histograms | p. 244 |
Bracketing | p. 249 |
Exposing for Raw | p. 251 |
Exposing to Avoid Chromatic Aberration (Purple Fringing) | p. 255 |
Taking Control | p. 256 |
Special Shooting | p. 257 |
Stable Shooting | p. 258 |
Black-and-White Photography | p. 262 |
Black-and-White Shooting | p. 263 |
External Flash | p. 267 |
Controlling Available Light | p. 273 |
Macro Photography | p. 276 |
Landscape Photography | p. 279 |
Shooting Panoramas | p. 283 |
High Dynamic Range (HDR) Imaging | p. 293 |
Underwater Photography | p. 295 |
Tethered Shooting | p. 296 |
Using Filters | p. 296 |
Shooting in Extreme Conditions | p. 299 |
Halfway There | p. 304 |
Workflow | p. 305 |
Post-Production Workflow | p. 306 |
Apple Aperture and Adobe Photoshop Lightroom | p. 313 |
Learning More | p. 316 |
Correcting Tone and Color | p. 317 |
Histograms Revisited | p. 319 |
Cropping and Distortion Correction | p. 320 |
Cropping an Image | p. 320 |
Straightening an Image | p. 324 |
Correcting Barrel and Pincushion Distortion in Photoshop CS2/CS3 | p. 328 |
Correcting Perspective in Photoshop CS2/CS3 | p. 331 |
Correcting Chromatic Aberration with Photoshop CS2/CS3 | p. 333 |
Corrrecting Tone | p. 335 |
Using Levels Input Sliders | p. 337 |
Adjusting a Real-World Image | p. 342 |
Should You Worry about Data Loss? | p. 346 |
Curves | p. 348 |
Correcting Tone with Curves | p. 350 |
Levels and Curves and Color | p. 356 |
Correcting a Color Cast | p. 358 |
Correcting Color with Curves | p. 351 |
Hue/Saturation | p. 365 |
Adjusting Saturation | p. 366 |
The Story So Far | p. 368 |
Raw Conversion | p. 371 |
Raw Workflow | p. 372 |
Raw Editing | p. 376 |
Copying Your Edits from One Image to Another | p. 390 |
What More Do You Need? | p. 391 |
Building Your Editing Arsenal | p. 393 |
What You'll Learn in This Chapter | p. 394 |
Brushes and Stamps | p. 394 |
Cloning Video Tutorial | p. 397 |
Masks | p. 399 |
Creating Complex Masks | p. 407 |
Layers | p. 414 |
Other Editing Tools | p. 419 |
Imaging Tactics | p. 421 |
Editing Order | p. 422 |
Converting Color Images to Grayscale | p. 423 |
Finding Black and White Images | p. 427 |
Retouching | p. 428 |
p. 430 | |
Additional Editing Techniques | p. 433 |
p. 436 | |
p. 441 | |
Color Adjustment | p. 445 |
p. 446 | |
Editing | p. 453 |
Video Tutorial: Painting Light and Shadow | p. 461 |
Photoshop CS2/CS3 Smart Objects | p. 462 |
Working with Smart Objects | p. 462 |
Special Effects | p. 469 |
Simulating Depth of Field | p. 470 |
Shortening Depth of Field in an Image | p. 470 |
Stitching Panoramas | p. 475 |
Creating "Hand-Tinted" Images | p. 478 |
Applying Effects by Painting | p. 481 |
Adding Texture, Grain, and "Film" Look | p. 482 |
Cleaning Portraits | p. 483 |
Compositing | p. 485 |
High Dynamic Range Imaging | p. 486 |
Output | p. 491 |
Resizing | p. 492 |
Understanding Resolution | p. 495 |
Sharpening | p. 500 |
Painting Sharpening | p. 503 |
Selective Sharpening of a Portrait | p. 504 |
Web and E-mail Output | p. 509 |
Outputting Electronic Files | p. 512 |
Choosing a Printer | p. 513 |
Printing | p. 524 |
Generating a Soft Proof in Adobe Photoshop | p. 529 |
Printing from Photoshop | p. 531 |
Conclusion | p. 538 |
Glossary | p. 539 |
About the CD-ROM | p. 553 |
Index | p. 555 |
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