Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
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Acknowledgements | p. vii |
Preface to the Second Edition | p. viii |
Introduction | p. x |
The History of Film Music | p. 1 |
Early Films and Music: The Silent Movies | p. 3 |
The First Talkies: The Beginning of Synchronized Music | p. 13 |
The Studio System and The Studio Music Department | p. 19 |
Musical Styles-1930 to 1950: The Golden Age of Hollywood | p. 27 |
Musical Styles 1950 to 1975 | p. 35 |
1975 to Today | p. 45 |
Film-Scoring Technology | p. 55 |
Production | p. 65 |
The Film-Making Process | p. 67 |
The Composer's Time Frame | p. 79 |
Spotting | p. 87 |
The Music Editor | p. 93 |
The Music Team: Orchestrators and Music Preparation | p. 109 |
The Recording Session and Mix | p. 119 |
The Music | p. 127 |
Creating the Music | p. 129 |
Technical Requirements of the Score | p. 139 |
Syncing the Music to Picture | p. 151 |
Television | p. 163 |
Ethnic and Period Music | p. 171 |
Animation | p. 179 |
Songs, Soundtracks, and Source Music | p. 189 |
The Business of Film Scoring | p. 203 |
Making the Deal: Agents, Attorneys, and Contracts | p. 205 |
Publishing and Copyrights | p. 217 |
Royalties | p. 231 |
Demos and Marketing | p. 245 |
Finding Work | p. 255 |
Interviews | p. 263 |
Elmer Bernstein | p. 264 |
Terence Blanchard | p. 270 |
Alf Clausen | p. 276 |
Cliff Eidelman | p. 281 |
Danny Elfman | p. 286 |
Richard Gibbs | p. 293 |
Elliot Goldenthal | p. 299 |
Michael Gorfaine & Sam Schwarts | p. 305 |
Harry Gregson-Williams | p. 310 |
Mark Isham | p. 316 |
Michael Kamen | p. 322 |
Mark Mancina | p. 329 |
David Newman | p. 333 |
David Raksin | p. 338 |
Lolita Ritmanis | p. 345 |
William Ross | p. 351 |
Marc Shaiman | p. 356 |
Alan Silvestri | p. 366 |
Mark Snow | p. 372 |
Richard Stone | p. 377 |
Shirley Walker | p. 382 |
End Notes | p. 388 |
Resources | p. 389 |
About the Author | p. 393 |
Index | p. 394 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.