Constructing African Art Histories for the Lagoons of C(te d'Ivoire
- ISBN13:
9781409404408
- ISBN10:
1409404404
- Format: Hardcover
- Copyright: 2010-12-28
- Publisher: Routledge
- More Book Details
Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
-
Free Shipping On Orders Over $35!
Your order must be $35 or more to qualify for free economy shipping. Bulk sales, PO's, Marketplace items, eBooks and apparel do not qualify for this offer. -
Get Rewarded for Ordering Your Textbooks! Enroll Now
-
Customer Reviews Read Reviews
-
Write a Review
List Price: $198.45
Save up to $49.61
Supplemental Materials
What is included with this book?
- The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
- The Used and Rental copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.
Summary
Constructing African Art Histories For The Lagoons of Côte d'Ivoire is an investigation of the methods employed by art historians who study creative production in Africa. While providing insights into the rich visual arts of the Lagoon Peoples of southeastern Côte d'Ivoire, this study is one of the few attempts by an Africanist to situate local and regional artistic practices in the context of the global art market, and to trace the varied receptions an African art work is given as it leaves a local context and enters an international one. Drawing on her three seasons of fieldwork among Akan populations in Côte d'Ivoire, Monica Blackmun Visonà provides a comprehensive account of a major art-producing region of Africa, and explores such topics as gender roles in performance, The role of sculpture in divination, And The interchange of arts and ideas across ethnic boundaries. The book also addresses issues inherent in research practices, such as connoisseurship and participant observation, and examines theoretical positions that have had an impact on the discipline of African art history.
