Foreword | p. ix |
Acknowledgments | p. xiii |
Introduction: Constructing Vernacular Culture in the Trans-Caribbean | p. xv |
(Re-)Creating Homes in the Vernacular | |
Premigration Legacies and Transnational Identities: Afro-Surinamese and Indo-Surinamese in the Netherlands | p. 3 |
The Many Voices of Caribbean Culture in New York City | p. 23 |
Family Reunion Rituals of African-Caribbean Transnational Families: Instilling a Historical and Diasporic Consciousness | p. 43 |
Performing Identities | |
Dancing around Dancehall: Popular Music and Pentecostal Identity in Transnational Jamaica and Haiti | p. 63 |
Rituals, Journeys, and Modernity: Caribbean Spiritual Baptists in New York | p. 101 |
Performing "Difference": Gossip in Olive Senior's Short Stories | p. 123 |
"This Is My Vibes": Legitimizing Vernacular Expressions in Caribana | p. 139 |
Writing Self, Other, and (Trans-)Nation in the Trans-Caribbean | |
Patrick Chamoiseau's Seascapes and the Trans-Caribbean Imaginary | p. 155 |
"A Local Habitation and a Name": Travelers, Migrants, Nomads of "Caribbean New York" in Colin Channer's Waiting in Vain | p. 177 |
Playing Both Home and Away: National and Transnational Identities in the Work of Bruce St. John | p. 219 |
The Amerindian Transnational Experience in Pauline Melville's The Ventriloquist's Tale | p. 267 |
Readings from Aqui y Alla: Music, Commercialism, and the Latino-Caribbean Transnational Imaginary | p. 299 |
The (Trans-)Nation (Dis-)Embodied | |
Like Sugar in Coffee: Third Wave Feminism and the Caribbean | p. 321 |
Work That Body: Sexual Citizenship and Embodied Freedom | p. 345 |
Caribbean Cyberculture: Towards an Understanding of Gender, Sexuality, and Identity within the Digital Culture Matrix | p. 377 |
Index | p. 399 |
Contributors | p. 403 |
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