Note: Supplemental materials are not guaranteed with Rental or Used book purchases.
Purchase Benefits
What is included with this book?
Acknowledgments | p. ix |
Introduction: Latin American Cinema Today: A Qualified Success Story | p. 1 |
Los diarios de motocicleta as Pan-American Travelogue | p. 11 |
"So What's Mexico Really Like?": Framing the Local, Negotiating the Global in Alfonso Cuaron's Y tu mama tambien | p. 29 |
Cidade de Deus: Challenges to Hollywood, Steps to The Constant Gardener | p. 51 |
Playing Hollywood at Its Own Game? Bielinski's Nueve reinas | p. 67 |
Afro-Brazilian Identity: Malandragem and Homosexuality in Madame Sata | p. 87 |
Family Romance and Pathetic Rhetoric in Marcelo Pineyro's Kamchatka | p. 105 |
Soapsuds and Histrionics: Media, History, and Nation in Bolivar soy yo | p. 117 |
Killing Time in Cuba: Juan Carlos Tabio's Lista de espera | p. 135 |
The Power of Looking: Politics and the Gaze in Salvador Carrasco's La otra conquista | p. 153 |
Peruvian Cinema and the Struggle for International Recognition: Case Study on El destino no tiene favoritos | p. 173 |
Selected Bibliography | p. 191 |
Index | p. 193 |
About the Contributors | p. 199 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.