Acknowledgements | p. vii |
Introduction | p. 1 |
Concepts and theories of everyday and ordinary life | p. 7 |
The everyday | p. 8 |
Ordinary life | p. 12 |
Music, sound and ordinary life | p. 16 |
Conclusion | p. 20 |
Changing ordinary life | p. 22 |
Globalizing and hybridizing | p. 22 |
Modernity, fragmentation and personal choice | p. 25 |
Spectacularizing and performing | p. 28 |
Enthusing | p. 30 |
Conclusion | p. 34 |
Understanding and theorizing cultural change | p. 35 |
Spectacle, performance and performativity | p. 35 |
Audience positions | p. 42 |
Research questions | p. 44 |
Conclusion | p. 48 |
Globalizing, hybridizing and localizing: processes of elective belonging | p. 49 |
Belonging | p. 49 |
Globalizing | p. 51 |
Scenes | p. 52 |
Scene, performing, audiencing and elective belonging | p. 58 |
Conclusion | p. 61 |
Imagining, performing and identifying: class, identity and culture | p. 62 |
Class, culture and identity: a new agenda | p. 63 |
Inscription, exchange, value and perspective | p. 69 |
Morality, evaluation and ordinary life | p. 71 |
Conclusion | p. 73 |
Distinguishing and connecting 1: capitals and the use of time | p. 74 |
Time use | p. 75 |
Social capital in Britain | p. 81 |
Class and education: economic, cultural and social resources | p. 85 |
Conclusion | p. 88 |
Distinguishing and connecting 2: the omnivore thesis | p. 90 |
The omnivore thesis: early statements and key themes | p. 92 |
The omnivore thesis: wider applications and development of explanations | p. 97 |
Cultural taste: qualitative consideration and modes of speech | p. 100 |
Conclusion | p. 102 |
Enthusing | p. 104 |
Processes of reception and sport | p. 105 |
Theories of fandom | p. 110 |
Place, space and the extended audience | p. 115 |
Enthusing: diffusion and the self | p. 117 |
Conclusions | p. 119 |
References | p. 125 |
Index | p. 133 |
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