Barry Milligan teaches at Wright State University in Dayton, Ohio.
Foreword | p. xiii |
Introduction | p. 1 |
Notes | p. 19 |
A Note on Italics | p. 24 |
The Wedding | p. 27 |
Uncoiling | p. 40 |
On Becoming Round | p. 42 |
Nada | p. 44 |
(There Has to be) Something More Than Everything | p. 58 |
Night Vigil | p. 62 |
The House of Quilts | p. 67 |
Uncle Teo's Shorthand Cookbook | p. 82 |
Holy Relics | p. 90 |
Tia Maria | p. 98 |
Four, Free, and Illegal | p. 103 |
Along My Paths | p. 113 |
Ryan, Thanks for the Offer | p. 115 |
The Kiss | p. 117 |
Bananas | p. 133 |
Sin Palabras | p. 138 |
Dear World | p. 144 |
Eyes of Zapata | p. 147 |
He 2-104: A True Planetary Nebula in the Making | p. 179 |
The Glass Box | p. 181 |
Adelina | p. 197 |
Xochitl-Poem: for Paul Perry, Joseph Booker, and the Palo Alto Writers Guild | p. 202 |
In the Other Half of Time | p. 205 |
From Face | p. 208 |
An Isle of Sorrow | p. 229 |
I Have No Companions | p. 230 |
Chencho's Cow | p. 232 |
North from the River, South Inside | p. 242 |
Loteria: La Rosa | p. 248 |
The Singing Antelope | p. 254 |
New Mexican Confession | p. 259 |
Being Indian, a Candle Flame, and So Many Dying Stars | p. 263 |
Notes on the Contributors | p. 270 |
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