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| Introduction | |
| American identities and the transatlantic stage | |
| Staging Revolution at the Margins of Celebration | |
| Revolution and unnatural identity in Crevecoeur's 'Landscapes' | |
| British author, American text: The Poor Soldier in the New Republic | |
| American author, British source: writing revolution in Murray's Traveller Returned | |
| Patriotic interrogations: committees of safety in early American drama | |
| Dunlap's Queer Andre: versions of revolution and manhood | |
| Coloring Identities: Race, Religion, and the Exotic | |
| Susannah Rowson and the dramatized Muslim | |
| James Nelson Barker and the stage American native | |
| American stage Irish in the Early Republic | |
| Black theater, white theater, and the stage African | |
| Theatre, Culture, and Reflected Identity | |
| Tales of the Philadelphia theatre: Ormond, National performance, and supranational identity | |
| A British or an American Tar? Play, player, and spectator in Norfolk, 1797-1800 | |
| After The Contrast: Tyler, civic virtue, and the Boston stage | |
| Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.