Seamus Heaney. 'The Wood Road' - | |
Melissa Sihra & Paul Murphy. Introduction, 'The Dreaming Body' | |
Eamonn Jordan. 'Urban Dramas: Any Myth Will Do?' | |
Extract from Marina Carr's Chekhov, introduced by Melissa Sihra | |
Lynne Parker. 'Showtime: The Strategy of Mischief in the Plays of Stewart Parker' | |
Mark Phelan. 'Performing ""Authentic"" Ireland: (Dis)connecting the Cultural Politics of the Irish Revival and the Celtic Tiger on the Irish Stage' | |
Rhona Trench. 'Staging Morality in On Raftery's Hill: A Kristevan Reading' | |
Stephen Regan. 'Terry Eagleton's Saint Oscar' | |
Extract from Terry Eagleton's Saint Oscar | |
Brian Singleton. 'Queer Eye for the Irish Guy: Transgressive Sexualities and the Performance of Nation' | |
Olwen Fouere. 'Operating Theatre and Angel/Babel' | |
Aoife Monks. 'Looking for Fiona: Gender and Nationality in the Work of Fiona Shaw' | |
Paul Murphy. 'Brian Friel's Wonderful Tennessee, or what was lost in Translations' | |
Conall Morrison. 'The Future of Greek Tragedy and The Bacchae of Baghdad' | |
Extract from Conall Morrison's The Bacchae of Baghdad | |
Melissa Sihra. 'Birthdays and Deathdays in the Theatre of Samuel Beckett and Marina Carr' | |
David Johnston. 'En otras palabras: Frank McGuinness and Spanish Drama' | |
Donal O'Kelly in conversation with Paul Murphy | |
Robert Welch. 'Afterword' | |
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