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9780373792788

Fear Of Falling

by
  • ISBN13:

    9780373792788

  • ISBN10:

    0373792786

  • Format: Paperback
  • Copyright: 2006-09-01
  • Publisher: Harlequin
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Summary

It is a dark and sexy night when business manager Natalie Brighton arrives at her employer's remote mountain castle. With a reputation almost as scandalous as the exotic, forbidden nature of his paintings, John Sartain indulges his sensuality…somethi

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Excerpts

NATALIE BRIGHTON hadn't planned on darkness arrivingso soon. One minute the sun was a burning spotlight over the tops of the mountains, the next the world was all shadowed cliffs and the dark smudges of trees against the rock.She hunched over the steering wheel, guiding the car up the twisting mountain road, the engine whining as it strained up the steep grade. If John Sartain was as rich and successful as everyone said, why had he built a house way up here on the back side of nowhere?Not house,she corrected herself.Castle.Artist John Sartain, apparently determined to add to his already eccentric reputation, had built a replica of a Scottish castle in the mountains of Colorado. In one article Natalie had read about her new boss, Sartain had explained he needed isolation to paint. But a gossip rag she'd also read had speculated the remote location allowed him to pursue his more scandalous activities away from the eyes of nosy reporters.As to the nature of those activities... Natalie shifted in her seat and reminded herself that the conjectures of rumormongers were not to be believed. Just because some reporter had dubbed John Sartain "The Satyr" didn't mean he attended orgies or had his own dungeon or engaged in S & M.She shivered as she remembered the pictures she'd seen in his newest calendar of just such scenes. The evocative, erotic paintings had aroused her, even as she'd told herself she should be shocked.Apparently no one was shocked by how much money Sartain's art was making. His work appeared on everything from calendars and T-shirts to playing cards and rock CDs. He was a one-man money machine.And she'd been hired to make sure the machine kept running smoothly. Not exactly something for which her previous work with the Cirque du Paris and six months of vocational school had prepared her, but Sartain's agent, Douglas Tanner, had thought her capable of the job. And she'd been eager for this chance to succeed at something outside the claustrophobic world of traveling performers. In the Cirque du Paris, Natalie's life had been directed by others, her worth measured by their opinion of her.Here in the mountains of Colorado, her future was in her own hands--a frightening and thrilling thought.She steered the car around yet another S-curve and the castle loomed into sight. Floodlights shone on the red granite facade and half a dozen diamond-paned windows glittered with the golden glow of electric light.Natalie stopped the car under the portico and waited for her heart rate to return to normal after that harrowing drive up the mountain. If she'd made it this far, meeting the Satyr would be a piece of cake.The front door opened, but rather than some liveried butler or servant, a short man in a gray business suit emerged. "Hello, Doug." Natalie climbed out of the car and greeted the agent. "I didn't know you'd be here.""I wanted to wait and introduce you to Sartain." He followed her around to the trunk of the car and hefted out two suitcases. "How was your drive?""A little hairy after it got dark." She lifted out a third suitcase. "I didn't see a lot of other traffic.""No, there's not much up here." He led the way into the castle. "You see now why the job comes with an apartment. Making the commute every day would be impossible. Especially after winter sets in."He left the luggage in the large front hallway. "I'll show you to your apartment later, but first I'd like you to meet Sartain.""He's been your client for years and you don't call him by his first name?" she asked."He prefers Sartain." Doug shrugged. "It's how he signs his paintings, how everyone always addresses him.""Maybe he thinksJohnis too plain for a celebrated artist." After all, didn't her own mother insist on being addressed as Madame Gigi wherever she went? As if plain old Ms. Brighton was too mundane for anartiste."What does Sartain think of this idea of having a business m

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