An Introduction To Writing | |
An Introduction To Visual Understanding | |
Keeping Your Eyes Open and Learning to See | |
Annie Dillard, Seeing | |
A Strategy for Visual Understanding | |
Looking and Responding | |
Analyzing Images: Categorizing to Make Sense of What You See | |
Focal Point and Emphasis | |
Figure-Ground Contrast | |
Grouping: Proximity & Similarity | |
Color | |
Continuation | |
Line | |
Closure | |
Narration or Story | |
Context | |
The Whole Composition | |
Chrysler, Drive=Love [Advertisement] | |
Monumental Posing [Photograph] | |
Communicating What You See | |
A Sample Student Paper | |
Ryan Pollack, Visible Feelings | |
Analysis | |
The Nature of Analysis | |
Determining a Basis for Breakdown | |
Objectivity and Claims | |
Interpretation | |
Reflection and Meaning | |
Analysis and the Other Patterns | |
Analyzing with a Purpose | |
My Wife and My Desk: A Case Study in Analysis | |
Analysis in Pure Form: An Annotated Paragraph | |
Jill Ker Conway, from Points of Departure | |
Bernd Heinrich, from Whirligigs | |
Analysis in its Natural Habitat: An Annotated Reading | |
Neighborly Vultures | |
Reading | |
Saskia Verlaan, Perspectives on Fear | |
Forms of Mind: An Occasion for Analysis | |
Rene Magritte, L''importance des merveilles (The Importance of Marvels) [painting] | |
Rene Magritte, Le trahison des images (The Treachery of Images) [painting] | |
Sandro Bottecelli, The Birth of Venus [painting] | |
Reading | |
Annie Dillard, Living Like Weasels | |
The Nature of Consciousness: An Occasion for Analysis | |
Bruce Davidson, USA | |
New York | |
Central Park. 1992 | |
Young interracial couple[photograph] | |
Bruce Davidson, USA | |
New York City. 1992 | |
Central Park [photograph] | |
Bruce Davidson, USA | |
New York City. 1992 | |
Central Park [photograph] | |
Bruce Davidson, Youth Holding Kitten. 1960 [photograph] | |
Reading | |
The Bird of Paradise: The Hunter and the Poet | |
Poetic Moments and the Lingering Effects of Analysis: An Occasion for Analysis | |
Tree of Life | |
Tsavo East National Park, Kenya [photograph] | |
Yann Arthus-Bertrand, Brazil | |
Amazonas State | |
Storm over the Amazon Rain Forest [photograph] | |
Description: The Nature of Description | |
Creating a Lasting Impression by Selecting Details | |
Organizing Details | |
Using Figurative Language | |
Metaphor | |
Simile | |
Description with a Purpose | |
Description and the Other Patterns | |
Description in Pure Form: An Annotated Paragraph | |
Virginia Woolf, from Moments of Being | |
Virginia Woolf, from Moments of Being | |
Description in its Natural Habitat: An Annotated Reading | |
Cynthia Ozick, The Seam of the Snail | |
Reading | |
Richard Selzer, Love Sick | |
The Work of the Mind: An Occasion for Description | |
The Parts of the Brain [illustrations] | |
The Scan of Denial [photographs] | |
MRI Images | |
Reading | |
E.M. Forster, On Not Looking at Pictures | |
Ways of Seeing and Not (A Taunting Painting): An Occasion for Description | |
Diego Velßsquez, Las Meninas, 1656, Oil on Canvas [painting] | |
Titian, Entombment [painting] | |
Reading | |
Joan Didion, Georgia O?Keeffe | |
Considering the Effectiveness of Descriptions: An Occasion for Description | |
Alfred Stieglitz, 1930, Georgia O?Keeffe [photograph] | |
Georgia O?Keeffe, Cow?s Skull, Red, White, and Blue [painting] | |
Alfred Stieglitz, New York Winter Scene [photograph] | |
Georgia O?Keeffe, Train at Night [painting] | |
Narration | |
The Nature of Narration | |
Sequence, Causality, and Effect | |
Defining Events | |
Selecting Events and Details | |
Elements of Narration | |
Movement in Time, Causality, Perspective | |
Keeping Track of Time, Attending Details, Gaining Perspective | |
The Narrator | |
First-Person Singular (I) | |
First-Person Plural (We) | |
Second-Person Singular and Plural (You) | |
Third-Person Singular and Plural (He/She They) | |
Other Voices | |
Narrating with a Purpose | |
Narration in Pure Form: An Annotated Paragraph | |
Gretel Ehrlich, from A Storm, the Cornfield, and Elk | |
E.B. White, from Once More to the Lake | |
Narration in its Natural Habitat: An Annotated Reading | |
Roy Reed, Wolf Hunt | |
Reading | |
Alice Walker, Beauty: When the Other Dancer is the Self | |
Seams of Time: An Occasion for Narration | |
Black Lines, 2002 | |
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