Preface | p. 9 |
Art and Conquest | p. 13 |
The Spanish and the Aztecs | p. 16 |
The Northern Territories of New Spain | p. 22 |
France Bringing the Faith: the Northeast | p. 41 |
The Exploration of the Mississippi and Mississippian Culture | p. 49 |
A Protestant Presence in America | p. 54 |
The Art and Architecture of the Northern British and Dutch Colonies | p. 58 |
Products of the Needle and the Chisel | p. 66 |
Foreign Wars and Domestic Unrest | p. 69 |
Defining America | p. 73 |
Representing the Revolution and Its Aftermath | p. 74 |
Presidential Poses: Images of George Washington | p. 83 |
Architectural Symbols of a New Nation | p. 93 |
An Architecture of Discipline | p. 98 |
Nationhood and Native Americans | p. 104 |
The Schooling of the Nation's Artists: Samuel F. B. Morse and the National Academy of Design | p. 112 |
The Entrepreneurial Spirit and the Production of American Culture | p. 118 |
Nature and Nation | p. 129 |
Nature and the Sacred in Native American Art | p. 131 |
God, Nature, and the Rise of Landscape Painting | p. 134 |
Thomas Cole, Federalism, and The Course of Empire | p. 139 |
Edward Hicks and The Peaceable Kingdom | p. 144 |
Landscape Painting at Mid-Century: Frederic Edwin Church and the Luminists | p. 146 |
Native Americans as Nature | p. 152 |
Depicting the "Looks and Modes" of Native American Life | p. 155 |
Nature Transformed: Settling the Landscape | p. 163 |
Woman as Nature: The Nude, the Mother, and the Cook | p. 171 |
Nature Morte: Still Life and the Art of Deception | p. 175 |
A Nation at War | p. 185 |
The War between the United States and Mexico | p. 186 |
Mexican Culture as American Culture | p. 191 |
Prelude to the Civil War: Representing African Americans and Slavery | p. 197 |
Race and the Civil War | p. 204 |
Images of Reconstruction | p. 211 |
Monuments to Freedom | p. 217 |
Native Americans in the Popular Press: Harper's Weekly and the Washita River Massacre | p. 224 |
Encyclopedias of Experience: Native American Ledger Art | p. 226 |
The End of the Ghost Dance | p. 232 |
The Hampton Institute and Lessons in American History | p. 236 |
Work and Art Redefined | p. 239 |
One Hundred Years of Independence: Taking Stock of America at the 1876 Philadelphia Centennial Exhibition | p. 242 |
Images of Workers | p. 245 |
Celebrating the New Male Professionals: Portraits by Thomas Eakins | p. 252 |
The Female Body and the Rights of Women: the "Declaration of Sentiments" and Hiram Powers's The Greek Slave | p. 258 |
Domestic Culture and Cultural Production | p. 260 |
The Feminine Ideal and the Rise of Aestheticism | p. 269 |
Images of the Particular: Portraiture and "Trompe l'Oeil" Painting | p. 275 |
The Battle over Public Space | p. 282 |
The End of a Century: Art and Architecture and the World's Columbian Exposition | p. 288 |
The Machine, the Primitive, and the Modern | p. 301 |
Realism and the Ashcan School | p. 304 |
Modernism and the Avant-Garde | p. 317 |
World War I and the Art of Reproduction | p. 322 |
Modernism, Gender, and Sexuality | p. 327 |
Escape to Mexico | p. 337 |
Mexico in America: Imaging the American Southwest | p. 343 |
The Harlem Renaissance | p. 350 |
Art for the People, Art Against Fascism | p. 363 |
A New Deal for Art | p. 365 |
Modernist Architecture, Domestic Design, and Planned Communities | p. 378 |
Alternative Visions: Urban Life and the Industrial Worker | p. 381 |
Alternative Visions: The Corporate View of Industrial America | p. 391 |
Alternative Visions: Women at Work in the City | p. 399 |
Alternative Visions: Rural America | p. 404 |
Art Against Fascism: The Popular Front and the American Artists' Congress | p. 413 |
The War at Home: Japanese American Internment and American Patriotism | p. 416 |
Social Surrealism, Abstraction, and Democracy | p. 419 |
From Cold War to Culture Wars | p. 429 |
Gestures of Liberation: Abstract Art as the New American Art | p. 432 |
Pastiche and Parody: Another Take on the Real | p. 445 |
Minimal Forms | p. 456 |
Popular Art, Pop Art, and Consumer Culture | p. 464 |
An Art of Protest: The Civil Rights Movement and the Vietnam War | p. 473 |
The Personal is Political: Feminist Art of the 1970s | p. 483 |
Public Art and Public Interest | p. 491 |
Is Less More? Re-evaluating Modernism in Architecture | p. 496 |
Postmodernism and Art | p. 502 |
The Culture Wars | p. 512 |
Timeline | p. 521 |
Bibliography | p. 526 |
Websites | p. 541 |
Acknowledgments for Illustrations | p. 542 |
Index | p. 546 |
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