Foreword: Conversions of the Mind | p. xi |
Acknowledgments | p. xv |
Introduction: "Bursting All the Doors": The Madwoman in the Attic after Thirty Years | p. 1 |
After Gilbert and Gubar: Madwomen Inspired by Madwoman | p. 27 |
Modeling the Madwoman: Feminist Movements and the Academy | p. 34 |
Gilbert and Gubar's Daughters: The Madwoman in the Attic's Spectre in Milton Studies | p. 60 |
Feminism to Ecofeminism: The Legacy of Gilbert and Gubar's Readings of Mary Shelley's Frankenstein and The Last Man | p. 76 |
Enclosing Fantasies: Jane Eyre | p. 94 |
Jane Eyre's Doubles? Colonial Progress and the Tradition of New Woman Writing in India | p. 111 |
Revisiting the Attic: Recognizing the Shared Spaces of Jane Eyre and Beloved | p. 127 |
The Legacy of Hell: Wuthering Heights on Film and Gilbert and Gubar's Feminist Poetics | p. 149 |
The Veiled, the Masked, and the Civil War Woman: Louisa May Alcott and the Madwoman Allegory | p. 170 |
Sensationalizing Women's Writing: Madwomen in Attics, the Sensational Canon, and Generic Confinement | p. 183 |
Ghosts in the Attic: Gilbert and Gubar's The Madwoman in the Attic and the Female Gothic | p. 203 |
Elizabeth Gaskell: A Well-Tempered Madness | p. 217 |
Mimesis and Poiesis: Reflections on Gilbert and Gubar's Reading of Emily Dickinson | p. 237 |
Contributors | p. 257 |
Index | p. 261 |
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