9780773457249

The Globe Theatre Project: Shakespeare And Authenticity

by
  • ISBN13:

    9780773457249

  • ISBN10:

    0773457240

  • Format: Hardcover
  • Copyright: 2006-05-30
  • Publisher: Edwin Mellen Pr
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Author Biography

Rob Conkie is the Program Director for Drama at the University of Winchester in the United Kingdom.

Table of Contents

Acknowledgements i
Preface iii
Professor Robert Shaughnessy
Introduction 1(1)
Authenticity, briefly
1(12)
Two Productions
13(44)
Two productions, unalike authentically
13(13)
National Authenticity
15(2)
Personal Authenticity
17(9)
Disciplining the Fool for the Complete Performance
26(14)
Disciplining the Fool
32(4)
The Complete Performance
36(4)
Authentic Audiences
40(10)
Major Players
50(7)
Authentic Productions
57(50)
Dress Codes
57(5)
Band of Brothers
62(3)
Henry V: Football Shakespeare
65(20)
Nationalism > Violence
71(6)
Queer Games
77(8)
Antony and Cleopatra: Constructing Femininity
85(22)
Excellent Falsehood
95(4)
A Proper Woman
99(8)
Carnival unShakespeares
107(36)
Bodies and souls
107(9)
Lenten Answers
116(7)
Tragic Maids
123(8)
The Honest Whore
131(12)
All the world's on stage
143(42)
Globe-to-Globe
143(8)
Textual Bodies/Embodied Texts
151(6)
uMabatha: Shakespeare/Spear-shaking
157(4)
Otra Tempestad: Textual Fidelity Castrated / Intertextual Revolution
161(4)
Texts: The Empire Writes Back
165(6)
Body: The Empire Rites Back
171(10)
Conclusion: The Phantom Menace
181(4)
2001: A Displaced Authenticity
185(38)
Anti-authenticity
185(1)
Academics vs. Practitioners
186(12)
Anxiety of Influence
198(4)
Anti-authentic productions
202(3)
Unseemly speech: Knavish chops
205(3)
The Reviewers' Imagery and what it tells us
208(7)
Anti-contexts
215(8)
Conclusion: To Authenticity and Beyond
223(38)
Authenticity is dead, long live authenticity!
224(11)
Brave, bold theatre
235(3)
Feminine Endings
238(3)
Boom Boom playing
241(6)
Conclusion: A Balancing Act
247(14)
Bibliography 261(16)
Index 277

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